How the World Began

Thirty Creation Myths from Every Corner of the Earth, Told Whole

Emre Doğan · Vâliçe Press · Under Every Sky, Volume One

Bu anlatılar yaşayan geleneklerin doğrudan icrası değil; 19. ve erken 20. yüzyılda belgelenmiş tarihsel ve akademik kaynakların karşılaştırmalı editoryal derlemesidir.

These retellings are not a direct performance of living traditions. They are a comparative editorial compilation drawn from historical and academic sources documented in the nineteenth and early twentieth centuries.

This is transparency and context. It is not a legal immunity and is not offered as one. This book has not been reviewed, approved or endorsed by any community, tradition, institution or representative body, and it does not claim to have been.

This page carries the two things the printed book promises and has no room for: every source behind every story, and every factual claim in the book, typed and given a confidence. Nothing here is a summary of the book — it is the evidence the book was checked against.

Source ledger (JSON) Claim ledger (JSON) Claims (CSV) Corrections (JSON)

Corrections made while the book was written

13 of them. Five exist because a file turned out not to be what its name said. Two were duplicate stories inside the book, and one of those was created by the fix to a different problem.

C-1 — Ṛgveda 10.129 (Nāsadīya) planned for S03 (resolved)

Planned: Ṛgveda 10.129 (Nāsadīya) planned for S03

Found: no public-domain English Mandala 10 obtainable — Griffith vols III and IV fetched and neither contains it; Wikisource and sacred-texts.com both refuse automated requests; Mackenzie does not quote it

Done: S03 moved to the Prajāpati creation Mackenzie does quote. The Nāsadīya is named in the story, never quoted.

Resolution: RESOLVED 10 Sep 2026. Griffith's volume IV (Books IX-X) was located on archive.org (india.history.resource.112166) and downloaded; it contains RV 10.129 in full with Griffith's notes, and RV 10.90. The earlier finding — that volumes III and IV as then fetched lacked Mandala 10 — was wrong about volume IV; the file fetched under that name at the time was a different volume. S03 now QUOTES the Nāsadīya Sūkta instead of naming it, and S14 is upgraded from Mackenzie's paraphrase to Griffith's translation. The re-planning of S03 onto the Prajāpati cosmogony is kept, because that story is now written and is the better one for its place in the book; the Nāsadīya closes it as its own voice rather than as a report.

C-2 — the Poetic Edda file was named for Bellows

Planned: the Poetic Edda file was named for Bellows

Found: Gutenberg #14726 is the Norrœna Society edition. Its title page reads: 'THE ELDER EDDAS OF SAEMUND SIGFUSSON … BY BENJAMIN THORPE, AND THE YOUNGER EDDAS OF SNORRE STURLESON … BY I. A. BLACKWELL', with Rasmus B. Anderson as editor in chief. The verse quoted in this book is Thorpe's, not Bellows's.

Done: citations corrected in plan.json; the filename kept so it still matches disk

C-3 — S06 was planned as '*Enūma Eliš* tablets I–IV, in George Smith, *The Chaldean Account of G

Planned: S06 was planned as '*Enūma Eliš* tablets I–IV, in George Smith, *The Chaldean Account of Genesis* (London, 1876)'

Found: the file enuma-elish-king.txt is Gutenberg #60559 = Smith's *Chaldean Account of Genesis* in A. H. Sayce's new revised edition (New York: Charles Scribner's Sons), preface dated 21 May 1880 — not the 1876 London first edition. Smith also had no tablets II–IV: chapter V prints the top fifteen lines of tablet I, the upper part of tablet V, a four-line fragment he assigns to VII, and two doubtful scraps; the battle survives only as six detached fragments in chapter VI whose order Smith says cannot be decided.

Done: citation corrected in plan.json (edition and tablet range) and stated in the S06 source note. The filename is kept so it still matches disk; the ledger records that the file's name promises L. W. King and delivers Smith/Sayce. No material from King 1902 is used.

C-4 — S07 was to be written from hewitt-iroquoian-cosmology.txt

Planned: S07 was to be written from hewitt-iroquoian-cosmology.txt

Found: that file (archive.org iroquoiancosmolo00hewi, the separately issued 1904 extract) is an uncorrected OCR so degraded that it renders the report's own title as 'IROQIOTAN COSMOLOGY' and Hewitt's 'five different versions' as 'five ditterent versions'. Verbatim quotation from it would not have been safe.

Done: a cleaner scan of the same text was located and downloaded — the full Twenty-first Annual Report (archive.org annualreportofbu21smithso, GPO 1903) — verified by its title page and letter of transmittal, hashed, and registered as bae21-hewitt-iroquoian-cosmology.txt. All S07 quotations are taken from it and were checked character by character. The degraded file is kept on disk, not deleted. Disclosed in the S07 source note.

C-5 — S11 was planned as '*Mahābhārata*, Ādi Parva, as retold with quotation in Mackenzie, *Indi

Planned: S11 was planned as '*Mahābhārata*, Ādi Parva, as retold with quotation in Mackenzie, *Indian Myth and Legend* (1913)' — kind PRIMARY-QUOTED-IN-SECONDARY

Found: Kisari Mohan Ganguli's complete prose Mahābhārata is public domain and the Ādi Parva is available in full. Working from Mackenzie's paraphrase when the primary translation is obtainable would have been a needless remove, and would also have made Mackenzie the source of three stories.

Done: S11 upgraded to PRIMARY-IN-TRANSLATION and rewritten from Ganguli, Astika Parva sections XVII-XIX. plan.json source and cite corrected. Mackenzie remains the source for S03 only.

C-6 — the Prose Edda file was named prose-edda-brodeur.txt

Planned: the Prose Edda file was named prose-edda-brodeur.txt

Found: Gutenberg #18947 is Rasmus B. Anderson's *The Younger Edda* (Chicago: Scott, Foresman, 1901; copyright 1879, S. C. Griggs), not Arthur Gilchrist Brodeur's 1916 translation. The Gutenberg header names Anderson as translator and the title page carries his name and titles; his distinctive spellings confirm it — Ginungagap, Ymer, Audhumbla, Ganglere, Har, Jafnhar, Thride, where Brodeur has Ginnungagap, Ymir, Audhumla, Gangleri, Hárr, Jafnhárr, Thridi.

Done: S12 cites Anderson. plan.json source and cite corrected. Filename kept so it still matches disk, with the mismatch recorded here and disclosed in the S12 source note. This is the third filename-vs-content mismatch in the project; production standards rule 14 already covers it.

C-7 — S13 was planned as PRIMARY-QUOTED-IN-SECONDARY — a Chinese primary text reached through a

Planned: S13 was planned as PRIMARY-QUOTED-IN-SECONDARY — a Chinese primary text reached through a quotation in Werner

Found: Werner does not quote any primary text in his Pangu section. He summarises in his own English from sources he does not name there. He does quote a named primary author, the eighth-century historian Sima Zhen, but only for Nüwa.

Done: S13 re-labelled SCHOLARSHIP SUMMARISING A TRADITION in the source ledger and in plan.json. Nothing in the retelling is presented as a quotation from a Chinese text; the one quoted phrase is identified in the source note as Werner's own English.

C-8 — S16 was planned as 'The Earth Torn in Two' — the Aztec account in which the earth-monster

Planned: S16 was planned as 'The Earth Torn in Two' — the Aztec account in which the earth-monster Tlaltecuhtli is pulled apart to make the world

Found: Alexander's Latin-American volume does not contain it. His Mexican cosmogony chapter gives the Tarascan Tucupacha, the Mixtec account quoted from Fray Gregorio García, the Zapotec Coqui-Xee, and the Four Suns in five mutually incompatible orderings. The earth-from-a-monster survives only as one clause — the gods make Cipactli in the sea, 'from which they shaped the earth'. The Tlaltecuhtli dismemberment reaches modern readers chiefly through the Histoyre du Mechique, for which no public-domain English translation could be found.

Done: S16 re-scoped to the account Alexander actually prints in full — the Historia de los Mexicanos por sus pinturas — and re-titled 'The Suns That Failed'. plan.json title, cite and kind corrected. The absence of Tlaltecuhtli is disclosed in the S16 source note. Production standards rule 15 (when a source cannot be reached, change the book) applied.

C-9 — S18 was planned as 'Seven Eggs on a Knee' (Finland/Karelia, Kalevala Rune I)

Planned: S18 was planned as 'Seven Eggs on a Knee' (Finland/Karelia, Kalevala Rune I)

Found: S09 'Ilmatar in the Water' is drawn from the same Rune I and already tells the duck, the knee, the six golden eggs and the seventh of iron, their fall and the making of the world from the fragments. S18 would have retold the same passage of the same poem from the same translation — an internal duplicate inside one book, which is worse than a duplicate across two.

Done: S18 replaced. The Part Four theme is 'From an Egg', so the slot needed a cosmic egg from a tradition not already used. It is now the Orphic egg as preserved in Aristophanes' *Birds* — a rival Greek cosmogony explicitly at odds with Hesiod's, which makes the point that 'the Greek creation myth' is not one thing. plan.json culture, title, source, cite and kind corrected.

C-10 — S28 was planned as 'The Suns Before This One' (Aztec, from Alexander's Latin-American volu

Planned: S28 was planned as 'The Suns Before This One' (Aztec, from Alexander's Latin-American volume)

Found: This duplicate was created by correction C-8. S16 had been planned as the Tlaltecuhtli dismemberment, which is not in the source; re-scoping S16 onto the Four Suns made S28 a retelling of the story S16 now tells.

Done: S28 replaced with the Mixtec cosmogony from the same volume — a different people, a different source document (Fray Gregorio García, whom Alexander quotes directly), and a different shape: the Deer-God and Deer-Goddess raising a cliff above the water and setting an axe edge-upward for the heavens to rest on. plan.json corrected. Both remaining Mesoamerican entries now come from separate documents about separate peoples.

C-11 — S22 was planned to be written from popol-vuh-brasseur-1861.txt

Planned: S22 was planned to be written from popol-vuh-brasseur-1861.txt

Found: that file is Brasseur de Bourbourg's 1861 edition — the K'iche' text with a FRENCH translation, not English. Writing the story from it would have meant this book making its own English translation of a nineteenth-century French translation of a colonial-era Spanish copy, with no published English to check against; and the scan's optical character recognition is too poor to quote safely, rendering the book's own running head as 'IWYTHES DE L'AN lOUITE AMERICAINE'.

Done: S22 written instead from Hartley Burr Alexander's English of the same chapter in *Latin-American Mythology* (1920), which is already held and registered. The chain K'iche' → Ximénez's Spanish → Brasseur's French → Alexander's English is stated in the source note, and Alexander's dependence on Brasseur was VERIFIED by comparing the Hurakan passage in both files. Brasseur's volume is retained and cited for the verification, never quoted.

C-12 — S24 was planned as 'The Sand, the Hen, and the Chain' — Obatala descending on a chain with

Planned: S24 was planned as 'The Sand, the Hen, and the Chain' — Obatala descending on a chain with a snail shell of sand and a five-toed hen

Found: that account is not in Ellis 1894. It reaches modern readers through later works, chiefly Samuel Johnson's *History of the Yorubas* and twentieth-century writers, none obtainable in public domain for this edition. Ellis does carry a palm-nut and a scratching fowl, but in his MIGRATION tradition and as the founding of Ife, which he himself reads as a memory of a real southward movement into the lagoon country.

Done: S24 re-scoped to the cosmogony Ellis does record — Obatala and Odudua as the two halves of a closed calabash, their confinement, the quarrel, the blinding and the curse of snails — and re-titled 'Two Halves of a Closed Calabash'. plan.json title, cite and kind corrected. The absence of the chain and hen, and the location of Ellis's nearest equivalent, are disclosed in the S24 source note. Production standards rule 15 applied. Internal duplicate scan re-run per rule 18: no new collision.

C-13 — S29 was planned as 'The Diver Who Kept Some Back' (Slavic, from mar03-slavic-celtic.txt)

Planned: S29 was planned as 'The Diver Who Kept Some Back' (Slavic, from mar03-slavic-celtic.txt)

Found: Jan Máchal's Slavic half of The Mythology of All Races vol. III contains no cosmogony. Its chapters run: belief in soul and genii, worship of the dead, household gods, and onward through nature spirits and deities. The dualist earth-diver legend in which God and the devil dive for mud and the devil keeps some in his mouth is a folk-legend type Máchal does not print, and no other public-domain source for it was held.

Done: S29 replaced with the Samoan and Tongan creation sequences from Dixon's *Oceanic Mythology*, which are already held and registered, and which fit the Part Six theme exactly: a series of provisional fixes each of which creates the next problem. Western Polynesia was otherwise absent from the book. plan.json culture, title, source, cite and kind corrected. Internal duplicate scan re-run per rule 18: Dixon now supplies three stories — S05 Māori, S20 Society Islands, S29 Samoa and Tonga — which is at the audit's limit and not over it; the three are different archipelagos with different cosmological plans and share no material.

Source ledger

33 source records across 30 stories. “Framing” is what the source carries with it — a commission, a mission, an empire — and is part of the evidence, not a caveat about it.

No.TraditionSourceDateLocation FramingUncertainty
1Ancient Egypt · HeliopolisDevelopment of Religion and Thought in Ancient Egypt
James Henry Breasted
1912ch. I, 'The Origins', pp. 8-12, quoting Pyramid Texts §§1248, 1652, 1778, 1818Nineteenth-century translator reticence: the self-generation is explicit in the Egyptian and Breasted confines it to a Latin footnote. The act is in the source; the veiling is the translator's, and the story says soThe episode of the lost children, the searching eye and the tears is assembled from more than one spell; no single text runs it end to end
2Archaic GreeceHesiod, the Homeric Hymns and Homerica
Hesiod; trans. Hugh G. Evelyn-White
composed c. 700 BCE; translation 1914 (Loeb)Theogony ll. 22-34, 116-138, 154-206; Works and Days ll. 106-201None colonial. The translator's 'Chaos' imports a modern English sense the Greek does not carryHesiod's own etymologies (Titans as 'straining ones', Aphrodite as 'foam-born') are folk etymologies rejected by modern philology; the story reports them as his
3Vedic and Brahmanic IndiaIndian Myth and Legend
Donald A. Mackenzie
1913ch. VI, pp. 99-101Mackenzie writes within an Indo-European comparative framework of his period; that framing is not adoptedHIGH on the translation chain. The quoted English cannot be traced to a named translator in the source
3Vedic and Brahmanic IndiaThe Hymns of the Rigveda, volume IV (Books IX and X)
trans. Ralph T. H. Griffith
hymn composed in the late Vedic period; Griffith's four-volume translation published 1889-1892Book X, hymn CXXIX ('Creation'), verses 1-7, with Griffith's notesA Victorian Indologist's translation, made in Benares, heavily annotated from Sāyaṇa's commentary. Griffith's diction is archaic; his notes are cautious and he marks the stanzas he finds obscure as obscureLOW on the English quoted. The Sanskrit of verse 5 is notoriously difficult and Griffith says so; the retelling summarises that verse rather than quoting it
4Zoroastrian IranPahlavi Texts, Part I (Sacred Books of the East, vol. V)
trans. E. W. West
Bundahishn compiled 9th c. CE from older Avestan material; translation 1880Bundahishn I.1-11; Selections of Zādsparam I.1-8; West's introduction pp. xxiii-xxvNineteenth-century Orientalist scholarship; West is philologically careful and doctrinally restrainedThe Bundahishn is fragmentary and shows omissions and dislocations, which West states
5Māori · AotearoaOceanic Mythology (The Mythology of All Races, vol. IX)
Roland B. Dixon
1916ch. I, 'Myths of Origins and the Deluge', pp. 6-7Comparative-mythology framing of 1916, which classes accounts by type; the classification is not adopted'The Delightful Void' for Te Kore-rawea is unexplained in the source; the story offers a speculation and marks it as one
5Māori · AotearoaPolynesian Mythology and Ancient Traditional History of the New Zealand Race
Sir George Grey
1855'The Children of Heaven and Earth', openingNAMED IN THE STORY: Grey was the sitting Governor of New Zealand during a colonial administration in which he was a principal actor, and he collected these narratives from named informants while holding that officeGrey edited and combined what he was given; the degree is disputed
6BabyloniaThe Chaldean Account of Genesis
George Smith; new edition revised, corrected and enlarged by A. H. Sayce
first published London 1876; this edition New York: Charles Scribner's Sons, 1880 (Sayce's preface dated 21 May 1880)ch. V 'Babylonian Legend of the Creation' (first tablet, fifth tablet, seventh tablet fragment); ch. VI 'Other Babylonian Accounts of the Creation' (the war fragments K 4832, K 3473, K 3938, K 3449 and the sixth fragment); ch. III (Berosus via Alexander Polyhistor; Damascius via Cory); ch. I (the discovery narrative); ch. IV (the table of deities)NAMED IN THE STORY AND IN THE HISTORICAL CONTEXT: the volume is titled *The Chaldean Account of Genesis* and arranges the fragments against the six days of Genesis 1. The philology (tehom / Tiamat) is sound; the frame treats a Babylonian poem as an account of a Hebrew one. This edition keeps the translations and drops the frameHIGH on sequence, LOW on wording. Smith states that the order of the war fragments cannot be decided and that one 'dry land' fragment probably does not belong to the series at all. Three tablets between the first and the fifth were entirely missing to him. The retelling marks the break rather than bridging it
7Haudenosaunee · OnondagaIroquoian Cosmology, First Part — An Onondaga Version
narrated by John Buck (Onondaga chief and fire-keeper), revised with Joshua Buck; recorded, translated and annotated by J. N. B. Hewitt
narrated 1889, revised 1897; published in the Twenty-first Annual Report of the Bureau of American Ethnology (Washington: Government Printing Office)report pp. 141 ff. ('An Onondaga version'), with Hewitt's introduction pp. 127-135; comparative details from 'A Seneca version' (p. 221 ff.) and 'A Mohawk version' (p. 255 ff.)NAMED IN THE HISTORICAL CONTEXT: a Bureau of American Ethnology publication of the assimilation era, written inside a cultural-evolutionary theory whose vocabulary ('primitive people', 'barbaric man', 'the reified fictions of savage mentation') appears throughout Hewitt's commentary and nowhere in the narratives themselves. Hewitt was raised on the Tuscarora reservation and was of Tuscarora descent through his mother, which does not make the report a Haudenosaunee publicationLOW on wording, once the clean scan is used. The three versions in the report differ substantially from one another and the retelling follows one of them throughout, saying so and listing the divergences rather than blending them
8CherokeeMyths of the Cherokee
collected, translated and annotated by James Mooney, from narrators named in his introduction: A'yûñ'ini (Swimmer), Itagû'nahi (John Ax), Ta'gwadihi' (Catawba-killer), Ayâ'sta, and James D. Wafford
collected 1887-1890 and later at Qualla, North Carolina; published in the Nineteenth Annual Report of the Bureau of American Ethnology (Washington: Government Printing Office, 1900)myth no. 1, 'How the world was made', p. 239; Mooney's note on myth 1 in 'Notes to the myths', p. 431; the biographies of the narrators, pp. 236-238; the removal narrative in the historical sketch, pp. 130-133NAMED IN THE HISTORICAL CONTEXT: a Bureau of American Ethnology publication written on the salvage assumption that Cherokee tradition was in its final days, and measuring what Mooney recorded against a supposed complete original. Against that, the same volume records the removal of 1838 as an atrocity, in a report addressed to the government responsible for itMEDIUM on the completeness of the account, by the collector's own statement. LOW on wording. The printed myth is a composite of at least four narrators and Mooney's note says so; the variants are listed in the source note rather than merged
9Finland · KareliaKalevala: The Epic Poem of Finland
compiled by Elias Lönnrot from oral runes collected in Savo, Karelia and Archangel; translated into English verse by John Martin Crawford
runes collected from 1828; Old Kalevala 1835; New Kalevala (50 runes, 22,793 lines) 1849; Crawford's translation New York, 1888Rune I, 'Birth of Wainamoinen', in full; the Proem for the clasped-hands couplet; Crawford's preface for the collection history, the duck/eagle variant, the reception by Grimm and others, and his own acknowledgementsNAMED IN THE HISTORICAL CONTEXT: a work of nineteenth-century cultural nationalism, produced under Russian imperial rule for a Finnish-speaking population whose language had almost no printed literature. Lönnrot arranged the collected songs 'under the central idea of a great epic'. Crawford's own account of Finland's political status in the 1820s is wrong and is corrected in the historical contextHIGH on the relation of any given line to any individual singer's version — the text is Lönnrot's arrangement. LOW on the wording of Crawford's English, which is what is quoted
10Ainu · HokkaidōThe Ainu and their Folk-Lore
John Batchelor, F.R.G.S., Church Missionary Society missionary to the Ainu
London: The Religious Tract Society, 1901ch. III, 'The Creation of the World' — the general idea of creation; the water-wagtail legends; the legend why Yezo is rugged; the Aioina and Tureshmat variant and the nupe etymology; the axe rock at Moruran; 'How mattocks evolved demons' and Nitat-unarabeNAMED IN THE STORY AND THE SOURCE NOTE: a Church Missionary Society missionary writing for the Religious Tract Society, who introduces the chapter by calling much of the material 'absolutely absurd' and an illustration of 'what depths of intellectual blindness a race may sink into'. He also floats and then rejects the idea that the wagtail legend derives from Genesis 1HIGH on attribution — no narrator is named anywhere in the chapter, and the one identified informant is 'an Ainu companion' on a walk. MEDIUM on completeness, since Batchelor selects. LOW on the wording quoted, which was checked against the scan
11Epic IndiaThe Mahabharata of Krishna-Dwaipayana Vyasa, Translated into English Prose — Book 1, Adi Parva
traditionally ascribed to Vyāsa; translated by Kisari Mohan Ganguli, with acknowledged assistance from Charu Charan Mookerjee in parts of this book; published by Pratap Chandra Roy
epic material accreted over centuries around the turn of the era; translation published in fascicles, Calcutta, 1883-1896Āstīka Parva, sections XVII, XVIII and XIX; the Translator's Preface for the method and the anonymity disputeNot colonial in the usual sense of this book: an Indian translation, Indian-financed, Calcutta-printed, deliberately literal in resistance to the domesticating translations of the period. The anonymity dispute recorded in the preface is itself a document of what English readers of 1885 expectedLOW on wording. The epic is a composite text of uncertain and layered date, which is stated in the historical context rather than smoothed over
12Norse · IcelandThe Elder Eddas of Saemund Sigfusson (Poetic Edda)
anonymous Old Norse poems; trans. Benjamin Thorpe
poems of uncertain and disputed age, preserved chiefly in the Codex Regius of c. 1270; Thorpe's translation 1866, in the Norrœna Society edition edited by Rasmus B. AndersonVǫluspá 3-6; Vafþrúðnismál 20-21, 29-35; Grímnismál 40-41; Vǫluspá 9-10, 17-18Nineteenth-century Northern antiquarianism, issued as a subscription set. The translations themselves are literal and unembellishedHIGH on the age of the poems, which is disputed and not settled here. LOW on the English quoted
12Norse · IcelandThe Younger Edda; also called Snorre's Edda, or The Prose Edda
Snorri Sturluson; trans. Rasmus B. Anderson
composed in Iceland in the 1220s; Anderson's translation copyrighted 1879, this printing Chicago: Scott, Foresman, 1901Gylfaginning, sections 5-8; Gylfaginning 9 and 14NAMED IN THE HISTORICAL CONTEXT: a Christian Icelandic author writing two centuries after the conversion, who in his preface explains the gods as misremembered human beings and ends the dialogue by revealing the whole vision as an illusionMEDIUM on details unique to Snorri — the cow, the salt-stones, the three days, the four dwarfs — which cannot be checked against a surviving poem
13ChinaMyths and Legends of China
E. T. C. Werner
London: George G. Harrap, 1922ch. III, 'Cosmogony — P'an Ku and the Creation Myth': the fashioner of the universe; the sun and the moon; P'an Ku and Ymer; P'an Ku a late creation; Nue Kua Shih the repairer of the heavensNAMED IN THE SOURCE NOTE: the confident comparative manner of 1922, including appeals to a national temperament ('the ordinary mind', 'the placid Chinese mind') and a diffusionist speculation about the Chinese bringing a cosmogony from Babylon. Neither assumption is adopted hereHIGH on wording — there is no primary text behind Werner's Pangu paragraphs that this book can check. MEDIUM on his dating and attribution, corrected in the historical context
14Vedic IndiaThe Hymns of the Rigveda, volume IV (Books IX and X)
anonymous Vedic poets, the hymn ascribed by tradition to the ṛṣi Nārāyaṇa; trans. Ralph T. H. Griffith
hymn composed in the latest stratum of the Ṛgveda; Griffith's four-volume translation published 1889-1892Book X, hymn XC, verses 1-16, with Griffith's notes and his closing bibliographic noteNAMED IN THE SOURCE NOTE: Griffith's gloss explaining why each caste derives from its body part — the labourer from the feet because on his toil all ultimately rests — is a Victorian interpretation, not a translation, and is quoted as his without agreementLOW on the English quoted. Verse 5 (Virāj) is genuinely disputed and Griffith prints two readings; the retelling reports both and settles neither
15Zoroastrian IranPahlavi Texts, Part I (Sacred Books of the East, vol. V)
trans. E. W. West
Bundahishn compiled 9th c. CE from older Avestan material; translation 1880Bundahishn IV.1-5 (the two deaths and the complaint of Gōshurvan); X.1-4 and XIV.1-5 (what grew from the ox and from its seed); XV.1-13 (the rhubarb plant, Mashya and Mashyoi, the soul-and-body question, Ohrmazd's charge, the false speeches, the goat); Selections of Zādsparam X.2-4 (the eight metals and Spandarmad receiving the gold)Nineteenth-century Orientalist scholarship, philologically careful and doctrinally restrained; the frame was set out in full at the earlier Iranian story and is not restatedMEDIUM on the numbers, which differ between manuscripts and are given here in the majority reading with the variants recorded. MEDIUM on the ox's gender. LOW on the wording quoted
16Aztec · MexicaLatin-American Mythology (The Mythology of All Races, vol. XI)
Hartley Burr Alexander, drawing on the *Historia de los Mexicanos por sus pinturas*, Ixtlilxochitl, the *Annals of Quauhtitlan*, the *Codex Vaticanus A*, Camargo and Sahagún
Boston: Marshall Jones, 1920; the underlying documents are sixteenth-centurych. III, 'Mexico (Continued)', section I 'Cosmogony' and section II 'The Four Suns'NAMED IN THE HISTORICAL CONTEXT: every underlying document is post-conquest, most produced by or for the colonial church and administration, after the systematic burning of the Mexica painted books. Alexander adds his own comparative identifications, of which only those present in his sources are usedHIGH on the sequence of the Suns, which the sources contradict each other about; the retelling follows one document throughout and prints the disagreement. MEDIUM on names, because the available scan's optical character recognition is poor and each proper name was checked against its least corrupted occurrence
17JapanNihongi: Chronicles of Japan from the Earliest Times to A.D. 697
compiled by imperial order, traditionally under Prince Toneri and Ō no Yasumaro; trans. W. G. Aston
chronicle completed 720; Aston's translation published for the Japan Society, London, 1896Book I, 'The Age of the Gods', opening pages: the egg and the separation; the reed-shoot and Kuni-toko-tachi; the five 'In one writing it is said' variants; the seven generations; the jewel-spear and Onogoro; the circling of the pillar; the birth of the islands. Aston's footnotes on Motoori and Hirata, on the later addition of the variant quotations, on the Kiujiki scheme, and on the name etymologiesNAMED IN THE HISTORICAL CONTEXT: a court chronicle written to establish an imperial genealogy descending from the sun goddess, in a Chinese form adopted as part of state-building; and a translation made in 1896 for a British learned society while that genealogy was live political material in JapanLOW on the English. Aston's name etymologies are his own and he hedges several of them explicitly, including Izanagi and Izanami, which he suspects may be folk etymology
18Orphic GreeceThe Birds
Aristophanes; anonymous English prose translation
produced at Athens 414 BCE; the translation is a late-nineteenth-century prose version, translator not named in the copy usedthe parabasis, Greek lines 685-703, with the chorus's continuing address on the services of birdsNAMED IN THE STORY AND THE SOURCE NOTE: this is a comedy, and the cosmogony is spoken by a chorus of birds arguing that they should be worshipped instead of the gods. It is a parody, and it is presented as oneMEDIUM on the relation between the parody and its target. LOW on the English quoted. The retelling gives what the comedy says, in the comedy's voice, and does not present it as Orphic doctrine
19Vedic IndiaThe Hymns of the Rigveda, volume IV (Books IX and X)
anonymous Vedic poet, the hymn ascribed by tradition to Hiraṇyagarbha son of Prajāpati; trans. Ralph T. H. Griffith
hymn composed in the latest stratum of the Ṛgveda; Griffith's four-volume translation published 1889-1892Book X, hymn CXXI, verses 1-10, with Griffith's headnote and his notes on verses 1, 3, 4, 7, 8 and 10A Victorian Indologist's translation made in Benares with Sāyaṇa's commentary; Griffith prints competing readings where the sense is disputedLOW on the English quoted. The status of verse 10 as a later addition is scholarship and not stated by Griffith, and is labelled as such in the claim ledger
20Polynesia · Society IslandsOceanic Mythology (The Mythology of All Races, vol. IX)
Roland B. Dixon, compiling from collections he cites by footnote number without naming reciters or recorders
Boston: Marshall Jones, 1916ch. I, 'Myths of Origins and the Deluge', pp. 11-13 for the two Society Islands versions, and p. 20 for the egg fragment; p. 11 for the equivalence of Ta'aroa, Tanaoa, Tangaroa, Tangaloa and KanaloaNAMED IN THE HISTORICAL CONTEXT: Society Islands material was recorded chiefly by London Missionary Society personnel during and after the dismantling of the traditional religion from 1797. Dixon is at a further remove, a Boston comparativist working from other people's collectionsHIGH on attribution — no reciter and no recorder is named anywhere in the passage. LOW on the wording quoted, which is Dixon's printed text
21Ancient Egypt · MemphisDevelopment of Religion and Thought in Ancient Egypt
James Henry Breasted, translating the Memphite theology from British Museum Stela No. 797
the stone inscribed under Shabaka c. 700 BCE, copying an older papyrus; Breasted's book 1912ch. II, 'The Origins', pp. 43-47, quoting the stela ll. 48-61; Breasted's footnote on the stone's history and the earlier copies by Sharpe and by Bryant and ReadNAMED IN THE SOURCE NOTE AND HISTORICAL CONTEXT: Breasted dates the underlying composition to the Pyramid Age and presents it as the earliest philosophical system in the world. The stone is Shabaka's, c. 700 BCE, and whether the text it copies is genuinely Old Kingdom or an archaising composition of that period has been argued since. This book gives his translation and does not repeat his datingHIGH on date. MEDIUM on wording in the abraded passages, by Breasted's own warning that the signs are very faint and reading excessively difficult. He also flags the verb rendered 'thinking' as questionable and notes that heart and tongue share a gender so the pronoun may refer to either
22K'iche' MayaLatin-American Mythology (The Mythology of All Races, vol. XI) — the opening chapter of the Popol Vuh
anonymous K'iche' authors, 16th century; copied and translated into Spanish by Francisco Ximénez c. 1701; K'iche' text and French translation published by Charles Étienne Brasseur de Bourbourg, 1861; English by Hartley Burr Alexander
K'iche' manuscript mid-16th century; Brasseur 1861; Alexander 1920Alexander, ch. IV, 'Central America', pp. 160-162, quoting the first chapter of the Popol Vuh entireNAMED IN THE HISTORICAL CONTEXT: a text written in the Roman alphabet introduced by the friars, within a generation of the conquest; copied by a Dominican; published by an editor who also wrote about Atlantis; and translated for an American comparative seriesMEDIUM on wording, given three translation steps. The mountains 'like great lobsters' is Brasseur's image and later translators working directly from the K'iche' render the comparison differently; this is flagged in the source note
23Inca · TawantinsuyuHistory of the Incas
Pedro Sarmiento de Gamboa, by order of Viceroy Francisco de Toledo; trans. Sir Clements Markham
written at Cuzco, 1572; Markham's translation for the Hakluyt Society, Cambridge, 1907ch. VII, 'Fable of the second age, and creation of the barbarous Indians according to their account'; with Sarmiento's statement of commission and method at the opening of ch. VI, and Markham's footnotes on unu pachacuti and on TaguapacaNAMED IN THE STORY, THE SOURCE NOTE AND THE HISTORICAL CONTEXT: the book was written by order of Viceroy Toledo as part of a programme to establish that the Incas had been usurpers and that Spanish rule was therefore legitimate. It was written in the year Toledo had the last Inca ruler beheaded at CuzcoMEDIUM on the flood, by the translator's own warning that unu pachacuti was probably coined by priests after leading questions about a universal deluge. LOW on the wording quoted
24YorubaThe Yoruba-Speaking Peoples of the Slave Coast of West Africa
A. B. Ellis, Colonel, 1st West India Regiment
London: Chapman and Hall, 1894ch. III, 'Chief Gods', the sections on (1) Olorun, (2) Obatala and (3) Odudua; with the migration tradition in the later chapter, cited in the source note but not retoldNAMED IN THE HISTORICAL CONTEXT: an officer of the 1st West India Regiment writing in 1894, during the British extension of authority across Yorubaland, in the racial idiom of his decade, with a recurring interest in whether religious practice is trickeryHIGH on attribution — every account is credited only to 'the priests', 'some natives' or 'other natives', with no informant, place or date. LOW on the wording, which was checked against the scan
25Kuba · Bushoong · CongoAfrican Mythology (The Mythology of All Races, vol. VII)
Alice Werner, reporting the fieldwork of Emil Torday among the Bushongo of the Kasai
Boston: Marshall Jones, 1925; Torday's fieldwork 1907-09the chapter on myths of origins, in the section on creation legendsNAMED IN THE HISTORICAL CONTEXT: collected in the Kasai in 1907-09, during and immediately after the Congo Free State, in a kingdom whose rising had been put down in 1904; and gathered as part of a museum-collecting expeditionMEDIUM. Werner's claim that the Bushongo were entirely untouched by missionary influence is a strong one for the Kasai at that date and is questioned in the source note. Her count of the creatures — eight stated, nine listed — is left uncorrected because the error cannot be located
26Archaic GreeceHesiod, the Homeric Hymns and Homerica — Works and Days
Hesiod; trans. Hugh G. Evelyn-White
composed c. 700 BCE; translation Loeb Classical Library, 1914Works and Days ll. 106-201, with ll. 202-211 for the hawk and the nightingaleNone colonial. The poem is a partisan document in a family inheritance dispute and an attack on the magistrates who decided it, and the historical context says soLOW on the English. The exact sense of the line rendered 'grey hair on the temples at their birth' is debated, though the image is not
27Inca · TawantinsuyuHistory of the Incas
Pedro Sarmiento de Gamboa, by order of Viceroy Francisco de Toledo; trans. Sir Clements Markham
written at Cuzco, 1572; Markham's translation for the Hakluyt Society, Cambridge, 1907ch. VI, the first creation and its destruction; Markham's long footnote on the derivations of Viracocha; Sarmiento's own remarks fitting the Andean flood to the biblical oneNAMED IN THE HISTORICAL CONTEXT: written by order of Viceroy Toledo as part of a programme to establish the Incas as usurpers; and containing Sarmiento's own accommodation of the Andean flood to the biblical one, with an Atlantic land connection, so that recording it should not require setting aside the ScripturesMEDIUM on the flood, by the translator's own warning. LOW on the wording quoted. The content of the broken precept is stated by the source itself to be unknown
28MixtecLatin-American Mythology (The Mythology of All Races, vol. XI) — the Mixtec cosmogony
narrated by Fray Gregorio García, early 17th century; quoted and summarised by Hartley Burr Alexander
García early 1600s; Alexander, Boston: Marshall Jones, 1920Alexander, ch. III, 'Mexico (Continued)', section I 'Cosmogony', where he quotes García's opening sentence and summarises the narrative in four numbered episodes; and the following paragraph on the Zapotec Coqui-Xee, Piye-Tao, Cozaana and HuichaanaNAMED IN THE HISTORICAL CONTEXT: a Dominican collecting American origin traditions in part to test theories about where the peoples of the New World had come from — a purpose unlike the tradition's ownMEDIUM. Only the opening sentence is quotation; the rest is Alexander's summary of García's account, so the wording of the narrative is at two removes and no phrasing beyond the first sentence should be treated as the source's own
29Samoa and TongaOceanic Mythology (The Mythology of All Races, vol. IX)
Roland B. Dixon, compiling from collections cited by footnote number without naming reciters or recorders
Boston: Marshall Jones, 1916ch. I, 'Myths of Origins and the Deluge', pp. 18-19, in the section on the creative typeNAMED IN THE HISTORICAL CONTEXT: Pacific material recorded in the nineteenth century by missionaries and residents after the London Missionary Society reached Tonga in 1797 and Samoa in 1830, published in collections, and compiled at a distance in Massachusetts in 1916HIGH on attribution — no reciter, recorder, place or date is given for either account. LOW on the wording, which is Dixon's printed text
30Norse · IcelandThe Elder Eddas of Saemund Sigfusson — Vǫluspá
anonymous Old Norse poem; trans. Benjamin Thorpe
poem of disputed age, preserved in the Codex Regius of c. 1270; Thorpe's translation 1866, in the Norrœna Society editionVǫluspá 56-65, with 7-8 for the golden tablesNAMED IN THE SOURCE NOTE AND HISTORICAL CONTEXT: written down in Christian Iceland some two and a half centuries after the conversion, and heavily enlisted since the nineteenth century by nationalist and later by extremist movements; the version given is the thirteenth-century Icelandic oneHIGH on the poem's date and on the pagan or Christian character of the closing stanzas. LOW on the English quoted. Thorpe's numbering skips stanza 63 and nothing has been supplied

Claim ledger

726 claims. PRIMARY SOURCE is something the source says. SECONDARY SCHOLARSHIP is something scholars say about it. EDITORIAL INTERPRETATION is something this book says, and every one of those is marked in the text where it appears.

IDNo.ClaimTypeConfidence LocationStatus
C-0011The Egyptian primeval ocean is named Nun and precedes all elsePRIMARY SOURCEHIGHp. 10
C-0021Atum came into being of himself, not made by anotherPRIMARY SOURCEHIGHp. 11
C-0031At Heliopolis the sun-god appeared on the Benben stone in the Phoenix-hallPRIMARY SOURCEHIGHp. 11 n.2
C-0041Atum begat Shu and Tefnut by his own masculine power, self-developedPRIMARY SOURCEHIGHp. 11 n.3
C-0051Shu separated earth from sky and continued to support the skyPRIMARY SOURCEHIGHpp. 10-11
C-0061Rival cosmogonies existed at other temples: Ptah shaping an egg, a lotus rising from the waterPRIMARY SOURCEHIGHp. 11
C-0071The Egyptian words for tears and for people are near-homophones and the texts play on itSECONDARY SCHOLARSHIPMEDIUM—FLAGGED — reported in the story as a pun the Egyptians made, not as an etymology
C-0081Egyptians expected Nun to return and cover the world again, leaving Atum aloneSECONDARY SCHOLARSHIPMEDIUM—
C-0091The annual Nile flood shaped Egyptian comfort with cyclical inundationEDITORIAL INTERPRETATIONLOW—MARKED IN TEXT — the story asks 'perhaps because', not asserts
C-0101The Pyramid Texts were carved in sealed royal burial chambers at Saqqara from about 2350 BCE, beginning with the pyramid of UnasSECONDARY SCHOLARSHIPHIGH—
C-0111They were funerary spells for the dead king, not narratives, and the cosmogony appears in them only incidentallySECONDARY SCHOLARSHIPHIGH—
C-0121Heliopolis, Memphis and Hermopolis maintained different cosmogonies which Egyptian religion never reconciledSECONDARY SCHOLARSHIPHIGHBreasted p. 11
C-0131The Hermopolitan Ogdoad consists of four frog-headed gods and four snake-headed goddesses representing water, darkness, hiddenness and boundlessnessSECONDARY SCHOLARSHIPHIGH—
C-0141Breasted's developmental thesis, announced in his title, is no longer accepted and shaped his selection and orderingEDITORIAL INTERPRETATION——MARKED IN TEXT; the translations are kept and the frame dropped, and the story says so
C-0152Greek khaos derives from a verb meaning to gape or yawn and denotes a chasm, not disorderSECONDARY SCHOLARSHIPHIGH—
C-0162Theogony names four primordials in order: Chaos, Earth, Tartarus, ErosPRIMARY SOURCEHIGHll. 116-122
C-0172Aether and Day are the children of Night and Erebos — light descends from darkPRIMARY SOURCEHIGHll. 123-125
C-0182Earth bore Ouranos 'equal to herself, to cover her on every side'PRIMARY SOURCEHIGHll. 126-128
C-0192Ouranos pushed each child back into Gaia and would not let them into the lightPRIMARY SOURCEHIGHll. 154-160
C-0202Kronos castrated Ouranos with a sickle of grey adamant made by GaiaPRIMARY SOURCEHIGHll. 161-182
C-0212Hesiod's derivation of 'Titans' from straining is a folk etymologySECONDARY SCHOLARSHIPHIGH—
C-0222An anvil falls nine days from heaven to earth and nine more to TartarusPRIMARY SOURCEHIGHll. 722-725
C-0232The world is opened rather than made — the separation is an injuryEDITORIAL INTERPRETATION——MARKED IN TEXT
C-0242Hesiod is usually dated around 700 BCE, near the beginning of Greek alphabetic writing, and the Theogony is among the earliest surviving Greek textsSECONDARY SCHOLARSHIPHIGH—
C-0252Hesiod names himself, describes the Muses meeting him while he kept sheep on Helicon, and gives them a staff of laurelPRIMARY SOURCEHIGHll. 22-34
C-0262Hesiod says his father left a failing merchant's trade at Cyme and settled at Ascra, which he describes as bad in winter and worse in summerPRIMARY SOURCEHIGHll. 633-640
C-0272Hesiod's Works and Days records a dispute with his brother Perses over their inheritance, decided against him by gift-taking lordsPRIMARY SOURCEHIGH—
C-0282Herodotus said Hesiod and Homer gave the Greeks the names, forms and functions of their godsSECONDARY SCHOLARSHIPHIGH—
C-0292The Theogony's succession sequence proceeds by force, deception or mutilation at every transfer, and its author had lost an inheritance caseEDITORIAL INTERPRETATION——MARKED IN TEXT — offered as a reading, not as a causal claim about composition
C-0302Egypt maintains its separation by continuous effort (Shu) while Greece achieves its by a single act of damageEDITORIAL INTERPRETATION——MARKED IN TEXT — the story's comparative reading
C-0313A Brāhmaṇa creation account opens 'At first the Universe was not anything' and has the non-existent resolve 'Let me be'PRIMARY SOURCEMEDIUMp. 100FLAGGED — quoted at one remove; translator unnamed in the source
C-0323The sequence runs fervour → smoke → fervour → fire → rays → cloud → seaPRIMARY SOURCEMEDIUMp. 100
C-0333Prajāpati rose from the waters and asked what purpose he was born for, from that which forms no supportPRIMARY SOURCEMEDIUMp. 100
C-0343His tears became the earth; what he wiped away became air, and upward, skyPRIMARY SOURCEMEDIUMp. 100
C-0353The text links arodīt (he wept) to rodasī (the two world-halves)TRADITIONAL ACCOUNTHIGHp. 100The link is in the source and is a folk etymology; the story says both
C-0363Tapas means both physical heat and the energy generated by ascetic effortSECONDARY SCHOLARSHIPHIGH—
C-0373Ṛgveda 10.129 declines to say where the world came fromSECONDARY SCHOLARSHIPHIGH—NAMED NOT QUOTED — no PD translation obtainable
C-0383Indian tradition preserved multiple creation accounts side by side without requiring a choiceEDITORIAL INTERPRETATION——MARKED IN TEXT
C-0393The Brahmanas are prose texts of roughly 900-600 BCE whose purpose is to explain the sacrifice, and their cosmogony is told to account for ritual actsSECONDARY SCHOLARSHIPHIGH—
C-0403Vedic oral transmission used word-by-word, paired and reversed recitation patterns designed to make errors audible, preserving texts over two millennia with exceptional fidelitySECONDARY SCHOLARSHIPHIGH—
C-0413No public-domain English Rgveda Book 10 was obtainable for this edition, so the Nasadiya Sukta is named and never quotedEDITORIAL INTERPRETATION——MARKED IN TEXT and recorded as correction C-1
C-0423Egyptian plurality of cosmogonies is geographical while Indian plurality is held within a single canonEDITORIAL INTERPRETATION——MARKED IN TEXT — the story's comparative reading
C-0434'Light was above and darkness below, and between those two was open space'PRIMARY SOURCEHIGHSBE V, p. 155
C-0444Ohrmazd knew Ahriman existed; Ahriman did not know Ohrmazd existedPRIMARY SOURCEHIGHSBE V, pp. 155, 4
C-0454Creatures remained 3,000 years in a spiritual state, unthinking and unmoving, with intangible bodiesPRIMARY SOURCEHIGHSBE V, p. 4
C-0464Ahriman, walking the border, saw a ray of light and strove toward itPRIMARY SOURCEHIGHSBE V, p. 156
C-0474Ohrmazd drove him back 'through pure words'PRIMARY SOURCEHIGHSBE V, p. 156
C-0484Ohrmazd answered 'Thou art not a doer of everything, O fiend'PRIMARY SOURCEHIGHSBE V, p. 156
C-0494The conflict was fixed by agreement at 9,000 years, of which the middle 3,000 favour AhrimanPRIMARY SOURCEHIGHSBE V, p. xxiii
C-0504The six creations damaged: movement in the sky, saltness in water, mountains in earth, withering in plants, death of the primeval ox, death of GayōmardPRIMARY SOURCEHIGHSBE V, p. xxiii
C-0514Matter is a tactic — the material creation exists so the enemy can be caught in a bounded arenaEDITORIAL INTERPRETATION——MARKED IN TEXT; consistent with the standard reading of Zoroastrian cosmology
C-0524The Bundahishn was compiled in the ninth century CE in Pahlavi from older Avestan material much of which is lostSECONDARY SCHOLARSHIPHIGHSBE V, introduction
C-0534The surviving Avesta is a fragment of a larger corpus, and Zoroastrian tradition records its destructionSECONDARY SCHOLARSHIPHIGH—The tradition's accounts of the destructions are reported as tradition, not as established event history
C-0544Zoroastrianism was the Sasanian state religion; after the Arab conquests of the mid-seventh century its adherents became a shrinking minority, and the great Pahlavi books were written in that periodSECONDARY SCHOLARSHIPHIGH—
C-0554West's translation appeared in 1880 as volume V of Max Müller's fifty-volume Sacred Books of the EastPRIMARY SOURCEHIGHSBE V title page
C-0564Zoroastrianism is a living religion of a few hundred thousand adherents, chiefly Parsis in India and Zoroastrians in Iran and the diasporaSECONDARY SCHOLARSHIPHIGH—
C-0574Iran's is the only strict dualism in the book, and the only cosmogony in which the material world is created as a tactical arenaEDITORIAL INTERPRETATION——MARKED IN TEXT — the story's comparative reading
C-0585Māori cosmogony is recited as a genealogy in which the stages before the world are ancestorsPRIMARY SOURCEHIGHDixon pp. 6-7
C-0595Nine named voids precede the nights, including Te Kore-whiwhia (Unpossessing) and Te Kore-rawea (Delightful)PRIMARY SOURCEHIGHp. 6
C-0605The nights are named and differ: Hanging, Drifting, Moaning; and Hine-maki-moe, Daughter of Troubled Sleep, stands among themPRIMARY SOURCEHIGHp. 6
C-0615The sequence ends Te Ata (Dawn), Te Ao-tū-roa (Abiding Day), Te Ao-mārama (Bright Day), Whai-tua (Space)PRIMARY SOURCEHIGHpp. 6-7
C-0625In Whai-tua, Maku (Moisture) and Mahora-nui-a-rangi produced Rangi-pōtiki, who took Papa to wifePRIMARY SOURCEHIGHp. 7
C-0635Grey records darkness from the first division of time to the thousandth, each division a being called a PōPRIMARY SOURCEHIGHopening of 'The Children of Heaven and Earth'
C-0645Whakapapa reckons relationships to land, people and the natural world by descent, and the cosmogony is the top of the recitationSECONDARY SCHOLARSHIPHIGH—
C-0655The void is an ancestor rather than an enemy, unlike Nun in EgyptEDITORIAL INTERPRETATION——MARKED IN TEXT — this is the story's comparative reading
C-0665Grey was Governor of New Zealand 1845-1853 and 1861-1868, arriving three years after the Treaty of WaitangiSECONDARY SCHOLARSHIPHIGH—
C-0675Grey published the Māori text as Ko nga Mahinga a nga Tupuna Maori in 1854 and his English as Polynesian Mythology in 1855SECONDARY SCHOLARSHIPHIGH—
C-0685Grey said he undertook the collection because he could not conduct government business with Māori leaders without understanding their allusions, proverbs and genealogiesPRIMARY SOURCEHIGHpreface
C-0695Grey's second term coincided with the New Zealand Wars and the land confiscations that followedSECONDARY SCHOLARSHIPHIGH—
C-0705Māori scholars have long criticised Grey's versions for combining accounts from different sources into continuous narratives without marking the joinsSECONDARY SCHOLARSHIPHIGH—
C-0715Dixon compiled Oceanic Mythology from other collectors' work and names neither the recorder nor the reciter of the genealogy used herePRIMARY SOURCEHIGHpp. 6-7
C-0725Hesiod's Theogony and Māori whakapapa are both descent lists beginning from a non-person, but Hesiod's terminates in the gods while whakapapa continues to the speakerEDITORIAL INTERPRETATION——MARKED IN TEXT — the story's comparative reading
C-0736The poem opens by saying heaven was unnamed and earth unrecorded by namePRIMARY SOURCEHIGHch. V, first tablet ll. 1-2
C-0746The same tablet couples being called by name with destiny being fixedPRIMARY SOURCEHIGHch. V, first tablet l. 8
C-0756In Babylonian thought naming confers function and destiny rather than merely labellingSECONDARY SCHOLARSHIPHIGH—The couplet is in the source; the generalisation about Babylonian thought is scholarship and is presented as an explanation, not as a quotation
C-0766The boundless deep is called their generator and the sea she who bore the whole of themPRIMARY SOURCEHIGHch. V, first tablet ll. 3-4
C-0776Apsu is specifically the fresh subterranean water and Tiamat the salt seaSECONDARY SCHOLARSHIPHIGHSmith ch. III n.4; ch. IV tableFLAGGED IN THE SOURCE NOTE — the story's title rests on this later reading and the note says so
C-0786Their waters were collected together in one placePRIMARY SOURCEHIGHch. V, first tablet l. 5
C-0796The absence named in the poem is that the flowering reed was not gathered and the marsh-plant was not grownPRIMARY SOURCEHIGHch. V, first tablet l. 6
C-0806The confluence of the Tigris and Euphrates with the Gulf is a marsh landscape where fresh and salt water mingle without a clear coastlineEDITORIAL INTERPRETATION——Geographical observation offered to explain the imagery; the story presents it as such
C-0816The gods are produced in male-and-female pairs: Lakhmu and Lakhamu, then Sar and Kisar (upper and lower expanse), then Anu, Elum and HeaPRIMARY SOURCEHIGHch. V, first tablet ll. 9-15 and commentary
C-0826Smith identifies Anu with heaven, Elum with earth and Hea with the seaSECONDARY SCHOLARSHIPHIGHch. V commentary
C-0836Only fifteen lines of the first tablet survive, and the three tablets between it and the fifth were entirely missingPRIMARY SOURCEHIGHch. V
C-0846Anu kissed the bow, addressed it, and made it the protection of mankindPRIMARY SOURCEMEDIUMch. VI, fourth fragment K 3449 ll. 4-9Smith translates 'with some doubt on account of its mutilation' and says so
C-0856The scimitar is sickle-shaped and appears as Marduk's weapon on cylinders and bas-reliefsSECONDARY SCHOLARSHIPHIGHch. VI commentary
C-0866Kingu is named in the war fragments but his role cannot be reconstructed from themPRIMARY SOURCEHIGHch. VI, third fragment K 3938 l. 12 and sixth fragment reverse l. 35The story says only that the fragments name him and break off; Smith's own gloss that Tiamat took a god as husband is his inference and is reported as such
C-0876Tiamat stands at the head of the seven evil spirits, who elsewhere swoop from mid-heaven and eclipse the moonPRIMARY SOURCEHIGHch. VI, the sixteenth tablet of the evil-spirit series and Smith's linking comment
C-0886Marduk hurled the lightning before him, heat filled his body, and he created and launched the winds into the seaPRIMARY SOURCEHIGHch. VI, sixth fragment obverse ll. 4-13
C-0896Tiamat used spells, grounded her foundations at the roots, and determined returnPRIMARY SOURCEHIGHch. VI, sixth fragment reverse ll. 4-7
C-0906She opened her mouth to swallow him; the evil wind held it open, filled her stomach, and the sword cut her inside asunder and ended her lifePRIMARY SOURCEHIGHch. VI, sixth fragment reverse ll. 11-19
C-0916Berosus reports that the god cut the woman Omoroka asunder and formed the earth of one half and the heavens of the otherPRIMARY SOURCEHIGHch. IIIGreek summary of a lost Babylonian book, at three removes; the story says it is changing witness
C-0926Berosus reports that the god's own blood was mixed with earth to make human beings, which is why they are rationalPRIMARY SOURCEHIGHch. III
C-0936The fifth tablet has Anu fix the stars in mansions, set three stars to each of the twelve months, and establish a station so that they might not err or deflectPRIMARY SOURCEHIGHch. V, fifth tablet ll. 1-8
C-0946Great gates in the sides of the world are bolted on the left and right, with a staircase in the centrePRIMARY SOURCEHIGHch. V, fifth tablet ll. 9-11
C-0956The moon is given month-by-month instructions in the second person, ending 'rise and set, and judge judgment'PRIMARY SOURCEHIGHch. V, fifth tablet ll. 12-24
C-0966A four-line fragment, probably the seventh tablet, has the gods create the strong monsters, living creatures, cattle, beasts and creeping things of the fieldPRIMARY SOURCEHIGHch. V
C-0976The surviving copies come from Assurbanipal's library at Kouyunjik and carry his colophonPRIMARY SOURCEHIGHch. V, colophon of the first tablet
C-0986Smith and Sayce judged the surviving version Assyrian rather than Babylonian in its present form, probably composed under AssurbanipalSECONDARY SCHOLARSHIPHIGHch. V, openingReported as their judgement, not as settled fact
C-0996Smith announced the flood tablet to the Society of Biblical Archaeology on 3 December 1872, after which the Daily Telegraph funded an excavation, and he died on the 1875-76 expeditionPRIMARY SOURCEHIGHch. IThe source says he 'fell a victim to over-fatigue'; the story quotes that phrasing rather than narrating a death scene
C-1006Smith was a banknote engraver who taught himself cuneiform at the British MuseumSECONDARY SCHOLARSHIPHIGH—
C-1016Hebrew tehom and Assyrian Tiamat are the same word, and Smith makes the identificationPRIMARY SOURCEHIGHch. V commentary on Genesis i.2
C-1026Smith's book frames the poem against Genesis and tabulates his tablets against the six daysPRIMARY SOURCEHIGHch. V, the Genesis/tablet table
C-1036L. W. King, The Seven Tablets of Creation (London, 1902), is the standard edition that superseded Smith and recovered much more of the poemSECONDARY SCHOLARSHIPHIGH—NAMED NOT USED — no material from King is in this retelling
C-1046Enuma Elis was recited at the Babylonian New Year festivalSECONDARY SCHOLARSHIPHIGH—
C-1056The Nile's flood is regular and fertilising while the Tigris and Euphrates flood violently and unpredictablyEDITORIAL INTERPRETATION——MARKED IN TEXT — the comparative reading explicitly declines to claim that hydrology produced the theology
C-1066Babylon's cosmogony is a matricide while Iran's is a defence against an outsider and Greece's a wound to the fatherEDITORIAL INTERPRETATION——MARKED IN TEXT — this is the story's comparative reading
C-1077The narrator opens by attributing the legend to five generations of grandfathersPRIMARY SOURCEHIGHreport p. 141
C-1087Man-beings dwell on the farther side of the visible sky, which is the ground of the world abovePRIMARY SOURCEHIGHp. 141
C-1097The Mohawk version says the sky people knew neither weeping nor deathPRIMARY SOURCEHIGHp. 255
C-1107Down-fending was a custom of secluding a child marked at birth as carrying unusual power, with cat-tail down scattered to reveal intrudersSECONDARY SCHOLARSHIPHIGHp. 255 n.b; p. 142Hewitt calls the custom 'now almost, if not wholly, obsolete'
C-1117The maiden crossed the lodge each morning to comb and straighten the man-being's hairPRIMARY SOURCEHIGHpp. 142-143
C-1127She became pregnant and would not say by whom, when asked twicePRIMARY SOURCEHIGHpp. 143, 145
C-1137Nobody in the sky world had died before, and they did not know what it meant to say 'I shall die'PRIMARY SOURCEHIGHp. 144
C-1147His mother closed his eyes with both hands and began to weep, and all in the lodge weptPRIMARY SOURCEHIGHp. 144
C-1157The girl child wept five days and was quieted only by being lifted to the burial casePRIMARY SOURCEHIGHp. 145
C-1167She brought down a wampum armlet and later a necklace, saying her father gave them to herPRIMARY SOURCEHIGHpp. 145-147
C-1177The dead father instructed her to bake a basket of bread, not to stop or answer on the road, and named the maple log crossing and the tree ToothPRIMARY SOURCEHIGHpp. 147-149
C-1187The blossoms of the tree called Tooth are the source of light for that worldPRIMARY SOURCEHIGHp. 149
C-1197Aurora Borealis and Fire Dragon of the Storm spoke to her on the road, and the chief himself waited at the crossing to test herPRIMARY SOURCEHIGHpp. 150-152
C-1207She said 'Thou and I marry' and handed him the basket, and he said nothingPRIMARY SOURCEHIGHp. 152
C-1217The ordeal required her to make mush naked, be scalded without flinching, then be licked raw by two white dogs and restored with sunflower oilPRIMARY SOURCEHIGHpp. 153-156
C-1227He said no one from anywhere had been able to do it beforePRIMARY SOURCEHIGHp. 155
C-1237He shook the basket seven times to fill it, and sent word that the lodges were to be unroofed; corn then rained into themPRIMARY SOURCEHIGHpp. 156-158
C-1247The narrator explains her second pregnancy as caused by catching the chief's breath while they conversed, and generalises this as the origin of reproduction for man-beings and animalsPRIMARY SOURCEHIGHpp. 159-160This is the narrator's own explanatory aside; the story presents it as his, not as a general Haudenosaunee doctrine
C-1257The chief became ill and jealous without understanding why, and foretold a daughter named Zephyrs (Gusts-of-wind)PRIMARY SOURCEHIGHpp. 160-162
C-1267A dream feast was held to divine the chief's Word, attended by Deer, Great-horned Deer, Spotted Fawn, Red Meteor, Great Turtle, Wind-who-moves-about, Daylight, Night, Thick Night, Duck, Fresh Water, Yellowhammer, Medicine and Aurora BorealisPRIMARY SOURCEHIGHpp. 163-167
C-1277Aurora Borealis divined the Word: uproot the tree Tooth, tear the earth open, all look in, and the wife sit with her legs in the abyssPRIMARY SOURCEHIGHpp. 166-167
C-1287He gave her dried spotted-fawn meat and three fagots of wood, then seized the nape of her neck and pushed her into the abyssPRIMARY SOURCEHIGHpp. 168-170
C-1297Falling, she saw blue light and a lake covered with ducks, and no earth anywherePRIMARY SOURCEHIGHp. 171
C-1307The Loon saw her first; the Otter tried to bear the assembly and sank; the Turtle bore them allPRIMARY SOURCEHIGHpp. 171-173
C-1317The Muskrat surfaced dead with earth in his paws and mouth, and the earth was placed on the Turtle's carapace, which then grewPRIMARY SOURCEHIGHp. 173
C-1327The large waterfowl joined their bodies to catch her and set her on the carapacePRIMARY SOURCEHIGHp. 174
C-1337She lit the first fire with the three fagots, butchered a deer left for her, and three nights later gave birth to Zephyrs a second timePRIMARY SOURCEHIGHpp. 174-175
C-1347Hewitt printed three versions — Onondaga (John Buck, 1889/1897), Seneca (John Armstrong, 1896, revised with Andrew John), Mohawk (Seth Newhouse, 1896-97) — and they differ substantiallyPRIMARY SOURCEHIGHpp. 127-128
C-1357Hewitt says Buck's version is shorter because the relator seemed averse to telling more than a brief outlinePRIMARY SOURCEHIGHp. 127
C-1367In the Seneca version the girl's father is lean and dried with what the translation calls jealousy over the childPRIMARY SOURCEHIGHp. 221
C-1377In the Mohawk version the two down-fended persons are explicitly brother and sisterPRIMARY SOURCEHIGHp. 255
C-1387Hewitt records a fuller Onondaga version from Chief John Arthur Gibson, promised for a later reportPRIMARY SOURCEHIGHp. 127
C-1397Hewitt argued that such narratives must be recorded in the vernacular with both literal and free renderingsPRIMARY SOURCEHIGHp. 130
C-1407Hewitt's commentary uses the evolutionary vocabulary of its period — 'primitive people', 'barbaric man', 'the reified fictions of savage mentation'PRIMARY SOURCEHIGHpp. 129-131, 141 n.a
C-1417Ohwachira denotes a woman's offspring and their descendants in the female line; orenda denotes immanent magic potenceSECONDARY SCHOLARSHIPHIGHpp. 141 n.a, 255 n.a
C-1427Hewitt was born in 1859, raised on the Tuscarora reservation in New York, and of Tuscarora descent through his mother, though accounts of her ancestry differSECONDARY SCHOLARSHIPMEDIUM—FLAGGED — stated with its uncertainty in the historical context, and explicitly does not make the report a Haudenosaunee publication
C-1437The Bureau of American Ethnology was a United States federal body operating during the allotment and boarding-school era, on a cultural-evolutionary theorySECONDARY SCHOLARSHIPHIGH—
C-1447The Haudenosaunee held territory in what is now New York and, after the American Revolution, the Grand River lands in Ontario where Buck and Newhouse were livingSECONDARY SCHOLARSHIPHIGHp. 127
C-1457The earth-diver makes this the only cosmogony so far in which the world is retrieved rather than made, by the smallest animal present, who dies doing itEDITORIAL INTERPRETATION——MARKED IN TEXT — the story's comparative reading
C-1467The first copy of Hewitt obtained for this book was too degraded by OCR to quote from, and a cleaner scan of the same report was substitutedEDITORIAL INTERPRETATION——Production fact, recorded in the source note and the source register (correction C-4)
C-1478The earth is an island in water, suspended by four cords from a solid rock sky vaultPRIMARY SOURCEHIGHmyth 1, p. 239
C-1488When the world grows old the cords will break and everything will be water again, and the Indians are afraid of thisPRIMARY SOURCEHIGHmyth 1, p. 239
C-1498The animals lived above in Galûñ'lati and wanted more room because it was crowdedPRIMARY SOURCEHIGHmyth 1, p. 239
C-1508Dâyuni'si, 'Beaver's Grandchild', the little water-beetle, dived and returned with soft mud that grew into the islandPRIMARY SOURCEHIGHmyth 1, p. 239
C-1518Mooney identifies the water-beetle as the Gyrinus, locally the mellow bug or apple beetle, and records a variant in which the water-spider helpsSECONDARY SCHOLARSHIPHIGHnote to myth 1, p. 431
C-1528The earth was fastened to the sky with four cords and no one remembers who did itPRIMARY SOURCEHIGHmyth 1, p. 239
C-1538The Great Buzzard's failing wings cut the valleys and raised the mountains of the Cherokee countryPRIMARY SOURCEHIGHmyth 1, p. 239
C-1548The buzzard shaping the mountains also occurs among the Creek and Yuchi, though there the crawfish brings up the first earth; among northern peoples a turtle carries the worldSECONDARY SCHOLARSHIPHIGHnote to myth 1, p. 431
C-1558The sun was raised a hand-breadth at a time to seven hand-breadths, the 'seventh height', after scorching Tsiska'gili' the Red Crawfish, whom the Cherokee therefore do not eatPRIMARY SOURCEHIGHmyth 1, pp. 239-240
C-1568An underworld exists with reversed seasons, entered through springs at the heads of mountain streams, requiring fasting, going to water and a guidePRIMARY SOURCEHIGHmyth 1, p. 240
C-1578The animals and plants were told to keep awake seven nights; the owl, panther and one or two others succeeded and were given night vision, and the cedar, pine, spruce, holly and laurel were given evergreen leaves and the greatest medicinePRIMARY SOURCEHIGHmyth 1, p. 240
C-1588The first people were a brother and sister; he struck her with a fish, a child came every seven days, and it was then made one child a yearPRIMARY SOURCEHIGHmyth 1, p. 240
C-1598Mooney states the Cherokee genesis myth is too far broken down to be recovered except in disjointed fragments, through decay of tradition and admixture of Bible ideasPRIMARY SOURCEHIGHnote to myth 1, p. 431The collector's own assessment, quoted rather than adopted; the source note says it may be right and cannot now be tested
C-1608Myth 1 is a composite: main body from Swimmer and John Ax; evergreens from Ta'gwadihi'; the fish incident from Ayâ'sta; John Ax's divergent Little People version; Wafford's blind first manPRIMARY SOURCEHIGHnote to myth 1, p. 431
C-1618Mooney glosses the fish incident as possibly phallicSECONDARY SCHOLARSHIPHIGHnote to myth 1, p. 431Reported as Mooney's own bracketed guess, not as Cherokee interpretation
C-1628Swimmer was born about 1835, trained as priest, doctor and keeper of tradition, served as a sergeant in a Cherokee Confederate company, wrote in the Cherokee syllabary, spoke no English, and died in March 1899PRIMARY SOURCEHIGHpp. 236-237
C-1638Swimmer supplied nearly three-quarters of the myths in the collection, and Mooney wrote that with him perished half the tradition of a peoplePRIMARY SOURCEHIGHp. 236
C-1648John Ax was born about 1800 and remembered the Creek warPRIMARY SOURCEHIGHp. 237
C-1658Mooney describes the 1838 removal as possibly exceeding any other passage in American history in grief, with troops taking families from their homes, houses burned, and graves robbedPRIMARY SOURCEHIGHhistorical sketch, pp. 130-132
C-1668Mooney quotes a Georgia volunteer and later Confederate colonel calling the Cherokee removal the cruelest work he ever knewPRIMARY SOURCEHIGHp. 130
C-1678Around four thousand Cherokee died as a direct result of the removalSECONDARY SCHOLARSHIPHIGHp. 133Mooney's own figure, given as an assertion 'probably with reason'
C-1688Tsali surrendered voluntarily and was shot with his brother and two elder sons near the mouth of the Tuckasegee by Cherokee prisoners compelled to do it; the Eastern Band descends from those permitted to remainPRIMARY SOURCEHIGHpp. 131-132
C-1698This is the only cosmogony in the book whose stated motive is overcrowding, and the only one that twice declines to name an agentEDITORIAL INTERPRETATION——MARKED IN TEXT — the story's comparative reading, which also states that Mooney read the blank as damage
C-1708Almost every element of the account explains an observable feature of the Cherokee countryEDITORIAL INTERPRETATION——MARKED IN TEXT
C-1719The poem opens by calling a second singer to sing with the first, and instructs them to clasp hands so as to remember betterPRIMARY SOURCEHIGHProem
C-1729Ilmatar, Daughter of the Ether, lived alone in the air for ages and her existence was wearisome, sad and hopelessPRIMARY SOURCEHIGHRune I, opening
C-1739She descended to the ocean and the east wind whipped the sea; she conceived from the storm and waterPRIMARY SOURCEHIGHRune I
C-1749She swam seven hundred years, called also nine ages of man's existence, unable to rise or give birthPRIMARY SOURCEHIGHRune I
C-1759She lamented that it would have been better to remain a maiden in the ether than become a water-motherPRIMARY SOURCEHIGHRune I
C-1769She prayed to Ukko, ruler of the heavens, to come and deliver her, and he does not appear in the poemPRIMARY SOURCEHIGHRune IThe silence is an absence in the text, not a statement in it; the story reports the prayer and then what actually happens next
C-1779A duck searched every direction for a nest site and reasoned aloud that wind and waves would destroy a nest built on air or floodPRIMARY SOURCEHIGHRune I
C-1789Ilmatar raised her shoulders and knee so the duck could nest, and the duck took them for grassy hillocksPRIMARY SOURCEHIGHRune I
C-1799The duck laid six golden eggs and a seventh of iron and brooded three days until the knee burnedPRIMARY SOURCEHIGHRune I
C-1809The shaken eggs fell and shattered, and the fragments formed earth from the lower half, sky from the upper, moon from the white, sun from the yellow, stars from the motley and cloud from the darkPRIMARY SOURCEHIGHRune I
C-1819In the ninth year, in the summer of the tenth, she raised her head and shaped headlands, fish-holes, deeps, level banks, bays and inlets with her hand, foot, dives, side and headPRIMARY SOURCEHIGHRune I
C-1829Resting on her back she made the rocks and the hidden reefs where ships are often wrecked and many lives have perishedPRIMARY SOURCEHIGHRune I
C-1839Väinämöinen remained unborn thirty summers and thirty winters after the world was madePRIMARY SOURCEHIGHRune I
C-1849He petitioned the Moon, the Sun and the Great Bear to release him and all three refusedPRIMARY SOURCEHIGHRune I
C-1859He forced the lock with an unnamed finger, used the toes of his left foot and the fingers of his right hand, and plunged head first into the seaPRIMARY SOURCEHIGHRune I
C-1869He remained in the sea five, six and seven years and came ashore in the autumn of the eighth on a promontory bare of verdure, then stood to look at sun, moon and the Great BearPRIMARY SOURCEHIGHRune I
C-1879Topelius collected eighty epic fragments from his sickbed by having Karelian traders sing to him, publishing 1822-1831PRIMARY SOURCEHIGHpreface
C-1889Lönnrot, born 1802, a physician, collected runes from 1828 in Savo, Karelia and Archangel province by horse, reindeer sledge and canoePRIMARY SOURCEHIGHpreface
C-1899Lönnrot arranged the material under the central idea of a great epic and sent the manuscript to the Finnish Literary Society in February 1835PRIMARY SOURCEHIGHpreface
C-1909The 1849 second edition contains fifty runes and 22,793 lines and resulted from sifting, arranging and organizing the materialPRIMARY SOURCEHIGHpreface
C-1919Crawford's manuscript was compared against Schiefner's German and Barna's Hungarian translations by named scholarsPRIMARY SOURCEHIGHpreface
C-1929How directly Crawford worked from the Finnish rather than through Schiefner's German has been questionedSECONDARY SCHOLARSHIPMEDIUM—FLAGGED — stated as a question raised, not as established fact
C-1939In the Kalevala the world-egg is laid by a duck; in other Finnish traditions by an eaglePRIMARY SOURCEHIGHpreface
C-1949Grimm, Steinthal, Uhland, Carrière and Max Müller took up the Kalevala; Grimm contrasted its genuineness with OssianPRIMARY SOURCEHIGHpreface
C-1959Finland was an autonomous Grand Duchy of the Russian Empire from 1809 to 1917, having previously been under Swedish rule; Crawford's preface states the political position incorrectlySECONDARY SCHOLARSHIPHIGHpreface
C-1969Swedish was the language of administration and educated life; Finnish was spoken widely and printed almost not at allSECONDARY SCHOLARSHIPHIGH—
C-1979The Kalevala became the founding text of Finnish national identity in the decades before independence in 1917SECONDARY SCHOLARSHIPHIGH—
C-1989This is the only creation in the book produced entirely by accident, the sole deliberate act being Ilmatar raising her knee for the birdEDITORIAL INTERPRETATION——MARKED IN TEXT — the story's comparative reading
C-1999The poem places the drowning of sailors inside the act of creation itselfEDITORIAL INTERPRETATION——MARKED IN TEXT; the quoted lines are the evidence
C-20010The world began as a slushy quagmire of mixed water and earth, incapable of sustaining life, with land drifting in itPRIMARY SOURCEHIGHch. III
C-20110The clouds already had thunder demons, the skies living creatures, and the Creator dwelt in the highest heavens with hosts of subordinate deitiesPRIMARY SOURCEHIGHch. III
C-20210God made a water-wagtail and sent it down to produce the earthPRIMARY SOURCEHIGHch. III
C-20310The wagtail fluttered over the waters, trampled the mud with its feet and beat it with its tail until dry places appeared and the waters became the oceanPRIMARY SOURCEHIGHch. III
C-20410The Ainu call the world moshiri, 'floating earth', and hold the wagtail in great esteem as the angel of GodPRIMARY SOURCEHIGHch. III
C-20510In a second version God cast up the rough ground with mattocks and axes and the wagtail levelled it by hopping, scratching, flapping and tail-wavingPRIMARY SOURCEHIGHch. III
C-20610The wagtail's present-day tail-beating is explained by this workPRIMARY SOURCEHIGHch. III
C-20710Many Ainu understood the Creator to have used stone hammers, axes and mattocks, because God is never conceived of as working without meansPRIMARY SOURCEHIGHch. III
C-20810Sixty mattocks were used and discarded; decomposing, they became demons, bad water, and trees that originate diseasesPRIMARY SOURCEHIGHch. III, 'How mattocks evolved demons'
C-20910The chief demon so produced is Nitat-unarabe, 'aunt of the swamps', whose offspring are called ToihekunraPRIMARY SOURCEHIGHch. III
C-21010Batchelor obtained the Yezo legend from an Ainu companion who rebuked him for criticising the west coast as a reflection on God's worksPRIMARY SOURCEHIGHch. III
C-21110Yezo was made by two deputy deities racing; the goddess stopped to talk with Aioina's sister, then rushed her half, producing the rugged west coastPRIMARY SOURCEHIGHch. III
C-21210The legend was quoted at women who talked too much, with the moral to set a watch over the lipsPRIMARY SOURCEHIGHch. IIIReported as the recorded use of the story, neither endorsed nor concealed
C-21310In another version Aioina's sister Tureshmat wept on being given the western portion, and this is the origin of tears; nupe is heard as nu (hear) plus pe (water)PRIMARY SOURCEHIGHch. IIIA folk etymology recorded in the source and presented as one
C-21410A rock near Moruran called mukara-so, 'axe rock', is said to be a deity's axe, unliftable by anyonePRIMARY SOURCEHIGHch. III
C-21510Batchelor introduces the chapter by calling Ainu ideas of creation 'absolutely absurd' and an illustration of the depths of intellectual blindness a race may sink intoPRIMARY SOURCEHIGHch. III opening
C-21610Batchelor suggests the wagtail legend may derive from Genesis 1 and then argues against his own suggestionPRIMARY SOURCEHIGHch. III
C-21710Batchelor names no narrators in this chapter beyond 'an Ainu companion'PRIMARY SOURCEHIGHch. III
C-21810Japan annexed Ezo in 1869, renamed it Hokkaidō and opened it to settlement; fishing and hunting rights, language and customs were progressively restrictedSECONDARY SCHOLARSHIPHIGH—
C-21910The Hokkaidō Former Aborigines Protection Act of 1899 allotted land conditional on agriculture and set up separate schools, with assimilation as its purpose, and remained law until 1997SECONDARY SCHOLARSHIPHIGH—
C-22010Japan recognised the Ainu as an Indigenous people by Diet resolution in 2008, followed by the Ainu Policy Promotion Act in 2019SECONDARY SCHOLARSHIPHIGH—
C-22110Batchelor lived among the Ainu for decades and compiled an Ainu-English-Japanese dictionarySECONDARY SCHOLARSHIPHIGH—
C-22210This is the only account in the book in which evil is a by-product of construction rather than an opponent, an ancestor or a consequenceEDITORIAL INTERPRETATION——MARKED IN TEXT — the story's comparative reading
C-22310The wagtail is the only creature in the book that makes the world by manual labour rather than by diving, laying or intendingEDITORIAL INTERPRETATION——MARKED IN TEXT
C-22411Nārāyaṇa instructed Brahmā and the gods to churn the Ocean with the Asuras, promising amṛta together with all drugs and gemsPRIMARY SOURCEHIGHĀstīka Parva XVII
C-22511The celestials sat in conclave on the peak of Meru as eager seekers after amṛtaPRIMARY SOURCEHIGHĀstīka Parva XVII
C-22611Mandara rises eleven thousand yojanas and descends as far, and the gods could not tear it upPRIMARY SOURCEHIGHĀstīka Parva XVIII
C-22711Ananta, prince of snakes, tore up the mountain with its woods and the denizens of those woodsPRIMARY SOURCEHIGHĀstīka Parva XVIII
C-22811The gods asked the Ocean's leave and it consented on condition of receiving a sharePRIMARY SOURCEHIGHĀstīka Parva XVIII
C-22911The king of tortoises agreed to hold the mountain on his back and Indra placed it therePRIMARY SOURCEHIGHĀstīka Parva XVIII
C-23011Vasuki served as the churning cord, Asuras at the hood and gods at the tailPRIMARY SOURCEHIGHĀstīka Parva XVIII
C-23111The stretching produced black vapours and flames from Vasuki's mouth, which became lightning clouds whose rain refreshed the gods, along with falling flowersPRIMARY SOURCEHIGHĀstīka Parva XVIII
C-23211A roar came from the deep like the clouds at the Universal Dissolution; aquatic animals were crushed, denizens of the lower regions killed, trees with birds uprooted, and friction fires burned lions and elephants until Indra's rain quenched themPRIMARY SOURCEHIGHĀstīka Parva XVIII
C-23311Tree gums and herb juices with the properties of amṛta mixed into the water; the gods who drank became immortal and the milky water turned to clarified butter, but nectar had not appearedPRIMARY SOURCEHIGHĀstīka Parva XVIII
C-23411The gods said they were spent up with no strength to churn further, and Nārāyaṇa granted them strengthPRIMARY SOURCEHIGHĀstīka Parva XVIII
C-23511There emerged in order the Moon, Lakṣmī in white, Soma, the White Steed, the Kaustubha gem, Dhanvantari with the white vessel of nectar, and the elephant Airāvata with two pairs of white tusksPRIMARY SOURCEHIGHĀstīka Parva XVIII
C-23611On seeing Dhanvantari the Asuras cried 'It be ours'PRIMARY SOURCEHIGHĀstīka Parva XVIII
C-23711The poison Kālakūṭa arose last, engulfed the earth, blazed with fumes, and stupefied the three worlds by its scentPRIMARY SOURCEHIGHĀstīka Parva XVIII
C-23811Śiva, solicited by Brahmā, swallowed the poison for the safety of creation and held it in his throat, and is therefore called Nīlakaṇṭha, blue-throatedPRIMARY SOURCEHIGHĀstīka Parva XVIII
C-23911Nārāyaṇa assumed an enticing female form by māyā and the Danavas placed the amṛta in her handsPRIMARY SOURCEHIGHĀstīka Parva XVIII
C-24011Rāhu drank the amṛta in the guise of a god; Sūrya and Soma exposed him; Nārāyaṇa cut off his head with the discus when the nectar had reached his throatPRIMARY SOURCEHIGHĀstīka Parva XIX
C-24111The severed head rose crying to the sky and the trunk fell and made the earth tremble; the quarrel with Sūrya and Soma explains solar and lunar eclipsesPRIMARY SOURCEHIGHĀstīka Parva XIX
C-24211The churning is told as Sauti's answer to Saunaka's question about the origin of the horse UchchaihsravasPRIMARY SOURCEHIGHĀstīka Parva XVII
C-24311Ganguli states that a translator should hold the mirror up to his author and refuses to make Hindu ideas agreeable to English tastePRIMARY SOURCEHIGHpreface
C-24411The translation was published anonymously by agreement, with two prefaces; an Indian journal accused Pratap Chandra Roy of a great literary imposture and later apologised; Ganguli's name appeared only on completionPRIMARY SOURCEHIGHpreface
C-24511Ganguli acknowledges assistance from Babu Charu Charan Mookerjee in portions of the Adi and Sabha ParvasPRIMARY SOURCEHIGHpreface
C-24611The Mahābhārata is an accreted composite in eighteen parvas, traditionally ascribed to Vyāsa, grown over centuries around a dynastic war narrativeSECONDARY SCHOLARSHIPHIGH—
C-24711Ganguli's was the first complete English Mahābhārata; it was Indian-translated, Indian-financed and Calcutta-printed, partly distributed free, and Roy died before completion with his widow seeing the remaining volumes outSECONDARY SCHOLARSHIPMEDIUM—FLAGGED — the free distribution and the widow's role are well reported but are not stated in the text used here
C-24811Max Müller's Sacred Books of the East was in progress at the same period and is the source of this book's BundahishnPRIMARY SOURCEHIGHSBE V
C-24911This is the only primeval water in the book that negotiates terms rather than being killed or ignoredEDITORIAL INTERPRETATION——MARKED IN TEXT — the story's comparative reading
C-25011Cooperation between gods and Asuras here is a mechanical requirement of the churning rather than a moral positionEDITORIAL INTERPRETATION——MARKED IN TEXT
C-25111This is the only account in the book in which the poison and the medicine are produced by one and the same processEDITORIAL INTERPRETATION——MARKED IN TEXT
C-25212Vǫluspá 3 says that where Ymir dwelt there was neither sand nor sea nor cold waves, no earth and no heaven, a chaotic chasm, and grass nowherePRIMARY SOURCEHIGHVǫluspá 3
C-25312Niflheim to the north held ice, rime, drizzle and gusts; Muspelheim to the south threw out sparks; between them Ginnungagap was as warm and mild as windless airPRIMARY SOURCEHIGHsection 5
C-25412Heat from Muspelheim melted the rime and the drops quickened into a man named Ymir, called Aurgelmir by the frost-giantsPRIMARY SOURCEHIGHsection 5
C-25512Venom drops from Élivágar grew until they became a giant, and sparks from the south gave the ice lifePRIMARY SOURCEHIGHVafþrúðnismál 31
C-25612Snorri's Hár denies that Ymir is a god and calls him and all his offspring evilPRIMARY SOURCEHIGHsection 5
C-25712Ymir sweated in his sleep and a man and woman grew under his left arm, and one foot begat a son with the otherPRIMARY SOURCEHIGHsection 5; Vafþrúðnismál 33Vafþrúðnismál gives the offspring as a six-headed son; the retelling follows the prose and does not merge the two
C-25812The cow Auðhumla was formed from the melting rime and four milk-streams from her fed YmirPRIMARY SOURCEHIGHsection 6
C-25912She licked rime-covered salt-stones, producing a man's hair on the first day, his head on the second and the whole man, Búri, on the thirdPRIMARY SOURCEMEDIUMsection 6FLAGGED — unique to Snorri, with no surviving poetic witness; the source note says so
C-26012Búri begat Borr, who married Bestla daughter of the giant Bölthorn, and their sons were Óðinn, Vili and VéPRIMARY SOURCEHIGHsection 6
C-26112The sons of Borr killed Ymir and his blood drowned all the frost-giants except Bergelmir, who escaped with his household in an arkPRIMARY SOURCEHIGHsection 7; Vafþrúðnismál 29, 35
C-26212They made the earth of his flesh, the seas and lakes of his blood, the rocks of his bones, and stones and pebbles of his teeth, jaws and broken bonesPRIMARY SOURCEHIGHsection 8; Vafþrúðnismál 21
C-26312The free-flowing blood became the ocean, laid around the earth in a ring most men would think impossible to crossPRIMARY SOURCEHIGHsection 8
C-26412His skull became the sky raised with four corners, with a dwarf set under each, named East, West, North and SouthPRIMARY SOURCEMEDIUMsection 8FLAGGED — the four named dwarfs are Snorri's and have no surviving poetic witness
C-26512Grímnismál adds that his hair became trees and plants, his brows Midgard for the sons of men, and his brain the cloudsPRIMARY SOURCEHIGHGrímnismál 40-41
C-26612Sparks from Muspelheim were fixed in the sky as lights, some set in place and some given assigned coursesPRIMARY SOURCEHIGHsection 8
C-26712The sun did not know where her hall was, the moon did not know what might he had, and the stars did not know their resting-placesPRIMARY SOURCEHIGHVǫluspá 5; Gylfaginning 8
C-26812The gods in council gave names to night, the waning moon, morning, midday, afternoon and evening, whereby to reckon yearsPRIMARY SOURCEHIGHVǫluspá 6
C-26912Iceland adopted Christianity by decision of the Alþing in the year 1000SECONDARY SCHOLARSHIPHIGH—
C-27012The Poetic Edda survives chiefly in the Codex Regius, written about 1270; the poems are older but by a disputed marginSECONDARY SCHOLARSHIPHIGH—
C-27112Snorri Sturluson wrote the Prose Edda in the 1220s, was lawspeaker of the Icelandic assembly, and was killed in 1241 on the orders of the king of NorwaySECONDARY SCHOLARSHIPHIGH—
C-27212The Prose Edda was written as a handbook for poets, because skaldic kennings require knowledge of the mythsSECONDARY SCHOLARSHIPHIGH—
C-27312Snorri's preface explains the gods as human beings later mistakenly worshipped, and the Gylfaginning ends by revealing the vision as an illusionPRIMARY SOURCEHIGHForeword; end of Gylfaginning
C-27412Anderson was professor of Scandinavian languages at Wisconsin, later US Minister to Denmark, and author of 'America Not Discovered By Columbus'PRIMARY SOURCEHIGHtitle page
C-27512Norse myth has been repeatedly enlisted for political purposes since the nineteenth centuryEDITORIAL INTERPRETATION——MARKED IN TEXT, stated briefly and without elaboration; the point made is that the versions given here are the thirteenth-century Icelandic ones
C-27612The itemised parts list served Icelandic poets as a working reference for kennings, not only as narrativeEDITORIAL INTERPRETATION——MARKED IN TEXT — the story's comparative reading
C-27712The Norse flood is a flood of the victim's blood and the ark-survivor is the victim's kinsman, inverting the usual flood patternEDITORIAL INTERPRETATION——MARKED IN TEXT
C-27812The final stage of the Norse creation is a timetable rather than a substanceEDITORIAL INTERPRETATION——MARKED IN TEXT
C-27912The gods in council resolved who should create the race of dwarfs from the sea-giant's blood and livid bones, making Móðsognir greatest and Durin secondPRIMARY SOURCEHIGHVǫluspá 9-10
C-28012Snorri says the dwarfs had quickened in Ymir's flesh like maggots and were given understanding and the likeness of men but had to dwell in earth and rockPRIMARY SOURCEHIGHsection 14The maggot comparison is the source's own
C-28112Vǫluspá names more than sixty dwarfs across four stanzasPRIMARY SOURCEHIGHVǫluspá 11-16
C-28212Three gods found Ask and Embla on earth nearly powerless and void of destiny, without spirit, sense, blood, motive powers or goodly colourPRIMARY SOURCEHIGHVǫluspá 17-18
C-28312Óðinn gave spirit, Hœnir gave sense, and Lóðurr gave blood and goodly colourPRIMARY SOURCEHIGHVǫluspá 18
C-28412In Snorri's prose the three gifts are life and spirit; reason and power of motion; and form, speech, hearing and eyesight, after which the gods gave them clothes and namesPRIMARY SOURCEHIGHsection 9
C-28512Borr's sons found two trees on the sea-strand and made the first man and woman of them, naming them Ask and EmblaPRIMARY SOURCEHIGHsection 9
C-28612Ask means ash and Embla is probably elmSECONDARY SCHOLARSHIPMEDIUM—FLAGGED — 'ash' is secure, 'elm' is the usual but not certain reading of Embla, and the story says probably
C-28713Pangu was produced by the yin and the yang and set the task of giving form to Chaos and making the heavens and the earthSECONDARY SCHOLARSHIPHIGHch. IIIWerner summarises; no primary wording is available in the source
C-28813'P'an' means the shell of an egg and 'Ku' means to secure or solid, referring to his being hatched from ChaosSECONDARY SCHOLARSHIPMEDIUMch. IIIWerner himself notes the characters may mean nothing more than 'Researches into antiquity'
C-28913He is pictured in bearskin or leaves, with two horns, holding hammer and chisel, sometimes attended by unicorn, phoenix, tortoise and dragon, sometimes holding sun and moonSECONDARY SCHOLARSHIPHIGHch. III
C-29013His task took eighteen thousand years, during which he grew six feet taller each daySECONDARY SCHOLARSHIPHIGHch. III
C-29113He died that his works might liveSECONDARY SCHOLARSHIPHIGHch. IIIWerner's English; flagged in the source note as his phrasing, not a translated quotation
C-29213His head became the mountains, breath the wind and clouds, voice the thunder, limbs the four quarters, blood the rivers, flesh the soil, beard the constellations, skin and hair the herbs and trees, teeth bones and marrow the metals rocks and precious stones, sweat the rainSECONDARY SCHOLARSHIPHIGHch. III
C-29313The insects creeping over his body became human beingsSECONDARY SCHOLARSHIPHIGHch. III
C-29413Werner compares this to the tears of Khepera in Egyptian cosmology and calls it a lowlier originSECONDARY SCHOLARSHIPHIGHch. III
C-29513The account is of Taoist origin and the Buddhist version is a late adaptation from itSECONDARY SCHOLARSHIPHIGHch. III
C-29613The sun and moon hid in the Han Sea; Terrestrial Time was sent and they refused; Pangu, directed by Ju Lai, wrote the characters for sun and moon on his palms and called them out with a charm said seven timesSECONDARY SCHOLARSHIPHIGHch. IIIWerner identifies this as the Buddhist adaptation; the story says so
C-29713Other versions give Pangu a dragon's head and serpent's body, or have him make wind by breathing, day by opening his eyes and thunder with his voiceSECONDARY SCHOLARSHIPHIGHch. III
C-29813Werner attributes the invention of the myth to the fourth-century Taoist Ko Hung (Ge Hong), author of the Shen hsien chuanSECONDARY SCHOLARSHIPHIGHch. IIIReported as Werner's attribution and corrected in the historical context
C-29913The earliest surviving account of Pangu is usually credited to Xu Zheng, third century CE, in the lost Sanwu liji, which survives only in later quotationsSECONDARY SCHOLARSHIPHIGH—
C-30013A long-standing suggestion is that Pangu entered the written Chinese tradition from non-Han southern myth; the question is unsettledSECONDARY SCHOLARSHIPMEDIUM—FLAGGED — the book records the debate and does not adjudicate it
C-30113The cosmogonies of the I Ching, Laozi, Confucius, Guanzi, Mencius and Zhuangzi are impersonal, and Chinese thought had no personal creator for centuries before PanguSECONDARY SCHOLARSHIPHIGHch. III
C-30213Nüwa, serpent-bodied and human-headed, moulded human beings from yellow earth and is described as the repairer rather than the creator of the heavensPRIMARY SOURCEHIGHch. IIIThis is the one passage in the chapter where Werner quotes a named primary author
C-30313Gong Gong struck the Imperfect Mountain, breaking the pillars of heaven; Nüwa melted five-coloured stones to patch the sky, cut off a tortoise's feet to prop the four corners, and stopped the flood with reed ashesPRIMARY SOURCEHIGHch. III
C-30413Werner himself compares Pangu with Ymir and adapts a stanza of the Vǫluspá to do soPRIMARY SOURCEHIGHch. III
C-30513Werner speculates that the Chinese may have brought the elements of a cosmogony from Babylon, which is period diffusionismSECONDARY SCHOLARSHIPHIGHch. IIIReported and explicitly not adopted
C-30613Pangu is the only figure in the book who is both the worker and the material of creationEDITORIAL INTERPRETATION——MARKED IN TEXT — the story's comparative reading
C-30713Pangu does not hold the sky up but becomes the distance between sky and groundEDITORIAL INTERPRETATION——MARKED IN TEXT
C-30813This is the only account in the book in which human beings are neither made nor intendedEDITORIAL INTERPRETATION——MARKED IN TEXT
C-30914Puruṣa has a thousand heads, eyes and feet, covers the earth on every side, and extends ten fingers' breadth beyond itPRIMARY SOURCEHIGHverse 1
C-31014Griffith glosses 'a thousand' as innumerable and Puruṣa as embodied spirit or Man personified, one with all created lifeSECONDARY SCHOLARSHIPHIGHnote to verse 1
C-31114Puruṣa is all that has been and all that is to be, and lord of immortalityPRIMARY SOURCEHIGHverse 2The second line is disputed; Griffith prints seven competing renderings and the story does not choose
C-31214All creatures are one-fourth of him and three-fourths are eternal life in heavenPRIMARY SOURCEHIGHverse 3
C-31314With three-fourths he went up and one-fourth remained here, striding over what eats not and what eatsPRIMARY SOURCEHIGHverse 4
C-31414From Puruṣa was born Virāj and from Virāj Puruṣa was born againPRIMARY SOURCEHIGHverse 5FLAGGED — Griffith reports one tradition making Virāj the mundane egg animated by the primeval Puruṣa and another making Virāj his female counterpart; both are reported and neither adopted
C-31514The gods prepared a sacrifice with Puruṣa as the offering, its oil spring, its gift autumn, its wood summerPRIMARY SOURCEHIGHverse 6
C-31614Sāyaṇa reads the sacrifice as mānasam yajñam, a mental or imaginary sacrificeSECONDARY SCHOLARSHIPHIGHnote to verse 6
C-31714He was anointed as victim on the sacred grass, and the deities, Sādhyas and ṛṣis sacrificed with himPRIMARY SOURCEHIGHverse 7
C-31814From the dripping fat were formed the creatures of the air and the animals wild and tamePRIMARY SOURCEHIGHverse 8
C-31914From the sacrifice were born the Ṛcas, the Sāman hymns, the metres and the YajusPRIMARY SOURCEHIGHverse 9
C-32014From it were born horses, all creatures with two rows of teeth, cattle, goats and sheepPRIMARY SOURCEHIGHverse 10
C-32114The hymn asks how many portions they made of Puruṣa and what they call his mouth, arms, thighs and feetPRIMARY SOURCEHIGHverse 11
C-32214The Brahman was his mouth, the Rājanya was made of his arms, his thighs became the Vaiśya and from his feet the Śūdra was producedPRIMARY SOURCEHIGHverse 12
C-32314Griffith states this is the only passage in the Ṛgveda which enumerates the four castesSECONDARY SCHOLARSHIPHIGHnote to verse 12
C-32414Griffith explains each caste's derivation by the function of the body part, the Śūdra from the feet because on his toil all ultimately restsSECONDARY SCHOLARSHIPHIGHnote to verse 12Quoted as Griffith's Victorian interpretation and explicitly not endorsed
C-32514The moon came from his mind, the sun from his eye, Indra and Agni from his mouth and Vāyu from his breathPRIMARY SOURCEHIGHverse 13
C-32614Mid-air came from his navel, sky from his head, earth from his feet, the regions from his earPRIMARY SOURCEHIGHverse 14
C-32714Seven fencing-logs and thrice seven layers of fuel were prepared when the gods bound Puruṣa as their victimPRIMARY SOURCEHIGHverse 15
C-32814The closing verse says that the gods sacrificing sacrificed the victim, and that these were the earliest holy ordinancesPRIMARY SOURCEHIGHverse 16
C-32914Griffith judges the hymn of comparatively recent origin and an attempt to harmonise the ideas of sacrifice and creationSECONDARY SCHOLARSHIPHIGHnote to hymn XC
C-33014The tenth maṇḍala is generally agreed to be the youngest layer of the Ṛgveda, and contains the Nāsadīya, the Hiraṇyagarbha hymn and the riddle hymns as well as this oneSECONDARY SCHOLARSHIPHIGH—
C-33114India abolished untouchability by constitutional article in 1950, under a constitution drafted by B. R. Ambedkar, who was born into that exclusion and wrote against the authority of such textsSECONDARY SCHOLARSHIPHIGH—
C-33214The Puruṣa Sūkta remains in liturgical use in temple worship todaySECONDARY SCHOLARSHIPHIGH—
C-33314Verse 12 says nothing about descent, endogamy, purity or exclusion; it supplies four ranked categories with a shared bodily origin in scriptureEDITORIAL INTERPRETATION——MARKED IN TEXT — offered as a reading of what the verse does and does not contain
C-33414Puruṣa is the only body in the book that is offered rather than killed, and the dismemberment is accordingly a liturgy rather than an inventoryEDITORIAL INTERPRETATION——MARKED IN TEXT — the story's comparative reading
C-33514This is the only cosmogony in the book that produces literature among the physical furniture of the universeEDITORIAL INTERPRETATION——MARKED IN TEXT
C-33614This is the only cosmogony in the book that explains the structure of society by the same mechanism as the structure of the worldEDITORIAL INTERPRETATION——MARKED IN TEXT
C-33715The primeval ox fell to the right hand when it passed away and Gayōmard afterwards to the leftPRIMARY SOURCEHIGHSBE V, p. 20
C-33815The ox is 'the sole-created ox' from whom all animals and some plants proceeded, as mankind proceeded from GayōmardSECONDARY SCHOLARSHIPHIGHSBE V, p. 20 n.1
C-33915Gōshurvan, the soul of the ox, came out of the body, stood before it and cried as much as a thousand men crying at oncePRIMARY SOURCEHIGHSBE V, p. 20
C-34015She asked with whom the guardianship of the creatures was left, and where was the man promised to preach carefulnessPRIMARY SOURCEHIGHSBE V, p. 20
C-34115Ohrmazd answered that if it were proper to produce that man at this time, the evil spirit would not have been oppressive in the earthPRIMARY SOURCEHIGHSBE V, p. 20
C-34215She went to the star station, the moon station and the sun station crying, and at the sun the guardian spirit of Zarathustra was shown to her, after which she consented to nourish the creaturesPRIMARY SOURCEHIGHSBE V, p. 21
C-34315The complaint of Gōshurvan is recorded in the Gāthās, the oldest part of the Avesta, at Yasna 29SECONDARY SCHOLARSHIPHIGHSBE V, p. 20 n.2
C-34415The gender of the ox is doubtful; West notes the angel Gōsh is usually considered female and that Zādsparam describes the animal as femaleSECONDARY SCHOLARSHIPMEDIUMSBE V, p. 21 n.1FLAGGED in the source note; the retelling follows West's feminine pronouns and says the point is unsettled
C-34515Fifty-five species of grain and twelve species of medicinal plants grew from where the ox's marrow came outPRIMARY SOURCEMEDIUMSBE V, pp. 31, 45Manuscript K20 gives fifteen medicinal species at XIV.1; the majority reading of twelve is used and the variant recorded
C-34615Peas came from the horns, the leek from the nose, the grapevine from the blood, rue-like herbs from the lungs and thyme from the heart for keeping away stenchPRIMARY SOURCEHIGHSBE V, p. 46
C-34715The text explains that wine abounds with blood because the vine came from the ox's bloodPRIMARY SOURCEHIGHSBE V, p. 46
C-34815The ox's seed was purified at the moon station and produced two oxen and then two hundred and eighty-two species of each kindPRIMARY SOURCEMEDIUMSBE V, pp. 32, 46K20 has 272; the majority reading of 282 is used and the variant recorded
C-34915The animals went a thousand days and nights without eating, then drank water and afterwards ate herbagePRIMARY SOURCEHIGHSBE V, p. 46
C-35015Eight metallic minerals arose from Gayōmard's members — gold, silver, iron, brass, tin, lead, quicksilver and adamant — and gold is produced from the life and seedPRIMARY SOURCEHIGHSBE V, p. 183
C-35115Spandarmad received the gold of the dead Gayōmard and it was forty years in the earthPRIMARY SOURCEHIGHSBE V, pp. 183, 53
C-35215After forty years Mashya and Mashyoi grew from the earth in the shape of a one-stemmed rivās plant with fifteen leaves over fifteen years, joined together with arms behind their shouldersPRIMARY SOURCEHIGHSBE V, p. 53
C-35315Their waists were so connected that it was not clear which was male and which femalePRIMARY SOURCEHIGHSBE V, p. 53
C-35415The rivās is a rhubarb-like plant whose shoots supply an acid juice used by the Persians for preserves and drinksSECONDARY SCHOLARSHIPHIGHSBE V, p. 53 n.3
C-35515The text asks whether soul or body is created first and answers that the soul is created before and the body after, because the body is created only for activityPRIMARY SOURCEHIGHSBE V, pp. 53-54
C-35615They changed from the shape of a plant into the shape of man and the breath went spiritually into them as the soulPRIMARY SOURCEHIGHSBE V, p. 54
C-35715Ohrmazd charged them: you are man, you are the ancestry of the world, think good thoughts, speak good words, do good deeds, and worship no demonsPRIMARY SOURCEHIGHSBE V, p. 54
C-35815Their first deed was to wash themselves and their first words were that Ohrmazd created the water, earth, plants, animals, stars, moon and sunPRIMARY SOURCEHIGHSBE V, p. 54West notes the Pahlavi phrase for the first deed is ambiguous and may mean that they feasted or made water; the retelling follows his primary rendering
C-35915Antagonism corrupted their minds and they exclaimed that the evil spirit created the water, earth, plants and animals; through that false speech they became wicked and their souls are in hell until the future existencePRIMARY SOURCEHIGHSBE V, pp. 54-55
C-36015They went thirty days without food, clothed in herbage, then found a white-haired goat and drank its milk with their mouthsPRIMARY SOURCEHIGHSBE V, p. 55
C-36115Mashya's second false speech about his delight enhanced the demons' power, and the taste of food was taken away so that one part in a hundred remainedPRIMARY SOURCEHIGHSBE V, p. 55
C-36215The Bundahishn is written as systematic reference knowledge with numbered answers, in the register of a priesthood recording what it still heldEDITORIAL INTERPRETATION——MARKED IN TEXT — offered as a reading of the book's form
C-36315In a strict dualism the worst available act is misattribution, because it credits the enemy with a creation he cannot makeEDITORIAL INTERPRETATION——MARKED IN TEXT
C-36415Iran alone in this book presents world-from-a-body as loss rather than as liturgy, inventory or completion, and alone lets the victim speakEDITORIAL INTERPRETATION——MARKED IN TEXT — the story's comparative reading
C-36516Tonacatecuhtli and Tonacacihuatl dwelt from the beginning in the thirteenth heaven and bore four gods: Camaxtli, Tezcatlipoca, Quetzalcoatl and Huitzilopochtli, the last born without flesh, a skeletonPRIMARY SOURCEHIGHpp. 91-92Primary in the sense of a sixteenth-century document reporting pre-conquest tradition, reached through Alexander
C-36616The four gods lived in idleness six hundred years, during which time was not reckoned because Huitzilopochtli was in his bonesPRIMARY SOURCEHIGHp. 92
C-36716They created first the fire, the hearth of the universe, and afterward a half-sunPRIMARY SOURCEHIGHp. 92
C-36816They formed Oxomoco and Cipactonal, commanding him to till and her to spin and weave, and giving her powers of divination and grains of maize for curingPRIMARY SOURCEHIGHp. 92
C-36916They divided time into days and inaugurated a year of eighteen twenty-day periods, three hundred and sixty daysPRIMARY SOURCEHIGHp. 92
C-37016They created Mictlantecuhtli and Mictlancihuatl as Lord and Lady of hell, the heavens below the thirteenth, the sea, and in the sea the monster Cipactli from which they shaped the earthPRIMARY SOURCEHIGHpp. 92-93
C-37116Tlaloc and Chalchiuhtlicue were created with dominion over the QuartersPRIMARY SOURCEHIGHp. 93
C-37216The son of the first pair married a woman formed from a hair of the goddess XochiquetzalPRIMARY SOURCEHIGHp. 93
C-37316A second half-sun was resolved on and Tezcatlipoca became the sun-bearer; what crosses the daily heavens is not the sun itself but only its brightness, the true sun being invisiblePRIMARY SOURCEHIGHp. 93
C-37416The first Sun's people were giants who uprooted trees by brute force and ate acorns, and it lasted thirteen times fifty-two yearsPRIMARY SOURCEHIGHp. 93
C-37516Time began to be counted from the first SunPRIMARY SOURCEHIGHp. 93
C-37616Quetzalcoatl struck down Tezcatlipoca and became Sun; Tezcatlipoca became a jaguar identified with Ursa Major, wheeling into the waters, and devoured the giantsPRIMARY SOURCEHIGHp. 93
C-37716After another six hundred and seventy-six years Quetzalcoatl was treated by his brothers as he had treated Tezcatlipoca; a great wind carried away most people or turned them into monkeysPRIMARY SOURCEHIGHp. 93
C-37816Tlaloc was Sun for seven times fifty-two years until Quetzalcoatl rained fire from heavenPRIMARY SOURCEHIGHp. 93
C-37916Chalchiuhtlicue was made Sun in her husband's place for six times fifty-two years, and in those days maize began to be usedPRIMARY SOURCEHIGHp. 93
C-38016In the year 2,628 from the birth of the gods it rained so heavily that the heavens fell and the people were transformed into fishPRIMARY SOURCEHIGHp. 93
C-38116Four men were created, and with their aid Tezcatlipoca and Quetzalcoatl upreared the heavens again and became lords of the heavens and starsPRIMARY SOURCEHIGHp. 93
C-38216After the restoration Tezcatlipoca discovered the making of fire from sticks and from the heart of flintPRIMARY SOURCEHIGHp. 93
C-38316Piltzintecuhtli and his wife did not perish in the flood because they were divine, and the gods created other people as beforePRIMARY SOURCEHIGHp. 93
C-38416Quetzalcoatl cast his own son by Chalchiuhtlicue into a great fire and he issued as the Sun; Tlaloc hurled his son into the cinders and thence rose the Moon, ever following after the SunPRIMARY SOURCEHIGHp. 93
C-38516The gods said this Sun should eat hearts and drink blood, and established wars so that there might be sacrifices of captives to nourish the orbs of lightPRIMARY SOURCEHIGHp. 93
C-38616Alexander gives five incompatible orderings of the Suns and states that no single account preserves the wholeSECONDARY SCHOLARSHIPHIGHpp. 85, 91-94
C-38716Most authorities take four past Suns and a fifth present one to be the orthodox Mexican formSECONDARY SCHOLARSHIPHIGHp. 94
C-38816Mexica painted books were destroyed twice, by Itzcoatl in the fifteenth century and systematically by the Spanish after 1521SECONDARY SCHOLARSHIPHIGH—
C-38916The Historia de los Mexicanos por sus pinturas is an anonymous Spanish text of about 1543 thought to derive from friars questioning Nahua informants and reading painted books with themSECONDARY SCHOLARSHIPMEDIUM—FLAGGED — the date and the manner of compilation are the usual account but the document is anonymous
C-39016Ixtlilxochitl was a Christianised nobleman of Texcoco descended from its royal line; Sahagún was a Franciscan whose compilation was suppressed by his own churchSECONDARY SCHOLARSHIPHIGH—
C-39116Mexica human sacrifice is independently attested archaeologically, while Spanish accounts had an interest in emphasising it and some of their figures are not credibleSECONDARY SCHOLARSHIPHIGH—The book prints what the source says, notes the attestation, and does not adopt the conquerors' scale
C-39216Fifty-two years is the Mexica calendar round, the interval at which the 260-day and 365-day counts realign, marked by extinguishing and relighting fires; every Sun's length in this account is a multiple of itSECONDARY SCHOLARSHIPHIGHp. 93
C-39316This is the only cosmogony in the book in which creation is iterated and the failed drafts are recorded with their datesEDITORIAL INTERPRETATION——MARKED IN TEXT — the story's comparative reading
C-39416The Suns end by fratricide rather than by exhaustion, making the history of the universe a sequence of coupsEDITORIAL INTERPRETATION——MARKED IN TEXT
C-39516This is the only cosmogony in the book that ends by establishing a permanent obligation on the livingEDITORIAL INTERPRETATION——MARKED IN TEXT
C-39617Heaven and Earth were not yet separated and the In and Yō not yet divided, forming a chaotic mass like an egg of obscurely defined limits containing germsPRIMARY SOURCEHIGHBook I, opening
C-39717The purer and clearer part was thinly drawn out and formed Heaven while the heavier and grosser element settled and became EarthPRIMARY SOURCEHIGHBook I
C-39817The finer element united easily but the consolidation of the heavy and gross element was accomplished with difficulty, so heaven was formed firstPRIMARY SOURCEHIGHBook I
C-39917The soil of which lands were composed floated about like a fish sporting on the surface of the waterPRIMARY SOURCEHIGHBook I
C-40017A thing in form like a reed-shoot was produced between Heaven and Earth and became the god Kuni-toko-tachiPRIMARY SOURCEHIGHBook I
C-40117Motoori Norinaga and Hirata Atsutane judged the opening sentences a Chinese rationalistic essay awkwardly prefixed to genuine Japanese tradition, and Hirata named two Chinese works as sourcesSECONDARY SCHOLARSHIPHIGHBook I n.1
C-40217Motoori pointed out that the connecting word 'hence' has no meaning where it stands and was inserted to disguise the joinSECONDARY SCHOLARSHIPHIGHBook I n.3
C-40317The Nihongi prints alternative accounts of the beginning in its main text, each introduced 'In one writing it is said'PRIMARY SOURCEHIGHBook I
C-40417The variants include a thing in the Void whose shape may not be described; a young land floating like oil with a reed-shoot; Ame-no-minaka-nushi and the two Musubi in the Plain of High Heaven; a cloud over the sea with no place of attachment for its root; and floating oil in the VoidPRIMARY SOURCEHIGHBook I
C-40517Aston judges the variant quotations a somewhat later addition indicating a large body of written literature on the subjectSECONDARY SCHOLARSHIPHIGHBook I n.2
C-40617Aston appends the Kiujiki genealogy remarking that it will further exemplify the confusion of these traditionsSECONDARY SCHOLARSHIPHIGHBook I
C-40717The paired generations include Uhiji-ni and Suhiji-ni, Oho-to-nochi and Oho-to-mahe, and Omo-taru and Kashiko-ne, with Izanagi and Izanami the seventh generationPRIMARY SOURCEHIGHBook I
C-40817Aston glosses Uhiji-ni and Suhiji-ni as mud-earth and sand-earth, Omo-taru as face-pleasing and Kashiko as awful, and Izanagi and Izanami as male-who-invites and female-who-invitesSECONDARY SCHOLARSHIPMEDIUMBook IFLAGGED — Aston calls several of these doubtful or obscure and suspects the Izanagi/Izanami reading may be folk etymology
C-40917They thrust down the jewel-spear of Heaven and groping about with it found the oceanPRIMARY SOURCEHIGHBook I
C-41017The brine dripping from the point of the spear coagulated and became the island OnogoroPRIMARY SOURCEHIGHBook I
C-41117They descended, wished to become husband and wife and to produce countries, and made Onogoro the pillar of the centre of the landPRIMARY SOURCEHIGHBook I
C-41217The male deity went round the pillar by the left and the female by the right, and on meeting the female spoke first: 'How delightful! I have met with a lovely youth'PRIMARY SOURCEHIGHBook I
C-41317The male deity was displeased, said that as a man he should by right have spoken first, called it unlucky, and required them to go round againPRIMARY SOURCEHIGHBook I
C-41417They exchanged statements about the source-place of femininity and masculinity in their bodies and were united as husband and wifePRIMARY SOURCEHIGHBook I
C-41517The island of Ahaji was reckoned as the placenta and their minds took no pleasure in it, whence its namePRIMARY SOURCEHIGHBook I
C-41617Aston notes Ahaji may be read as 'the island which will not meet' or as 'my shame'SECONDARY SCHOLARSHIPHIGHBook I
C-41717They then produced Oho-yamato, Iyo-no-futana, Tsukushi, Oki and SadoPRIMARY SOURCEHIGHBook I
C-41817The Nihon Shoki was completed in 720 by imperial order, is the second-oldest surviving Japanese book after the Kojiki of 712, and is written in classical Chinese in the form of a Chinese dynastic chronicleSECONDARY SCHOLARSHIPHIGH—
C-41917Book I runs from the separation of heaven and earth through the generations of gods to Amaterasu and thence to the imperial linePRIMARY SOURCEHIGHBooks I-II
C-42017Motoori spent more than thirty years on a commentary on the Kojiki, and the Kokugaku movement preferred the Kojiki partly because it is less ChineseSECONDARY SCHOLARSHIPHIGH—
C-42117In the late nineteenth and twentieth centuries the imperial descent set out in these chapters was made the basis of a state ideology taught as history in Japanese schoolsSECONDARY SCHOLARSHIPHIGH—
C-42217This is the only cosmogony in the book that separates its elements by density, with no maker and no violenceEDITORIAL INTERPRETATION——MARKED IN TEXT — the story's comparative reading
C-42317The Nihongi is the only source in this book that prints its variant beginnings unreconciled in the main text rather than in notes or appendicesEDITORIAL INTERPRETATION——MARKED IN TEXT
C-42417Japan and Iran independently make the first failure a failure of speech order with a permanent diminishing consequenceEDITORIAL INTERPRETATION——MARKED IN TEXT; the comparison is the book's, and no historical contact is claimed
C-42518The Birds was produced at Athens in 414 BCE and its plot concerns two Athenians founding a city in the air to intercept sacrifices and starve the godsPRIMARY SOURCEHIGHthe play, passim
C-42618The chorus addresses the audience as weak mortals, creatures of clay, whose life is but darkness, as unreal as a shadowPRIMARY SOURCEHIGHll. 685-687
C-42718They promise to teach the nature of the birds and the origin of the gods, the rivers, Erebos and Chaos, and say even Prodicus will envy the audience its knowledgePRIMARY SOURCEHIGHll. 688-692
C-42818At the beginning there was only Chaos, Night, dark Erebos and deep Tartarus, and Earth, the air and heaven had no existencePRIMARY SOURCEHIGHll. 693-694
C-42918Black-winged Night laid a germless egg in the bosom of the infinite deeps of ErebosPRIMARY SOURCEHIGHll. 695-696
C-43018After the revolution of long ages Eros sprang from it with glittering golden wings, swift as the whirlwinds of the tempestPRIMARY SOURCEHIGHll. 696-697
C-43118Eros mated in deep Tartarus with dark Chaos, also winged, and hatched the race of birds, the first to see the lightPRIMARY SOURCEHIGHll. 698-699
C-43218The Immortals did not exist until Eros had brought together all the ingredients of the world, from whose marriage Heaven, Ocean, Earth and the blessed gods arosePRIMARY SOURCEHIGHll. 700-702
C-43318The birds conclude that their origin is much older than that of the dwellers in Olympus and that they are the offspring of ErosPRIMARY SOURCEHIGHl. 703
C-43418They cite their wings and their assistance to lovers, and the winning over of reluctant youths by the gift of a quail, waterfowl, goose or cockPRIMARY SOURCEHIGHll. 704-707
C-43518They claim to mark the seasons: the crane's migration signalling sowing, the hanging up of the tiller and Orestes' tunic; the kite signalling spring and shearing; the swallow signalling the sale of winter clothingPRIMARY SOURCEHIGHll. 708-715
C-43618They offer themselves as Ammon, Delphi and Dodona — a replacement for the paid oraclesPRIMARY SOURCEHIGHll. 716-722
C-43718Hesiod's Theogony places Earth second among the primordials while this account denies Earth any existence at the beginningPRIMARY SOURCEHIGH—
C-43818Aristophanes is the earliest surviving witness to a Greek cosmic egg, centuries earlier than Damascius and the other sources for Orphic theogonySECONDARY SCHOLARSHIPHIGH—
C-43918How closely the parabasis tracks an actual Orphic poem is disputedSECONDARY SCHOLARSHIPHIGH—FLAGGED — the source note states the dispute and does not settle it
C-44018Night as the layer of the egg, the egg's germlessness, and a winged golden Eros emerging recur in later Orphic materialSECONDARY SCHOLARSHIPMEDIUM—
C-44118Orphism was initiatory, possessed books attributed to Orpheus, and concerned the soul and its fate after deathSECONDARY SCHOLARSHIPHIGH—
C-44218Plato refers to people going door to door with books of Orpheus, and Orphic gold tablets have been found in graves from southern Italy to ThessalySECONDARY SCHOLARSHIPHIGH—
C-44318The play was produced during the Peloponnesian War, in the year after the Sicilian expedition sailed, following the mutilation of the herms and the recall and defection of Alcibiades, and it took second prizeSECONDARY SCHOLARSHIPHIGH—
C-44418A germless egg is a wind-egg, unfertilised, which by definition cannot hatchSECONDARY SCHOLARSHIPHIGHl. 695
C-44518A parody must resemble its target closely enough to be recognised, so the comedy is evidence that the doctrine was current in Athens in 414 BCEEDITORIAL INTERPRETATION——MARKED IN TEXT and in the source note; offered as reasoning, not as proof of the doctrine's content
C-44618This is the only source in the book whose author was not attempting to preserve anythingEDITORIAL INTERPRETATION——MARKED IN TEXT
C-44718Greek tradition held at least two incompatible cosmogonies, one of which was well enough known in Athens to be worth parodyingEDITORIAL INTERPRETATION——MARKED IN TEXT — the story's comparative reading
C-44818This is the only cosmogony in the book that begins with a specified impossibility rather than with something holding potentialEDITORIAL INTERPRETATION——MARKED IN TEXT
C-44919Hiraṇyagarbha rose in the beginning, born only lord of all created beings, and fixed and holds up earth and heavenPRIMARY SOURCEHIGHverse 1
C-45019Nine of the hymn's ten verses end with the refrain 'What god shall we adore with our oblation?'PRIMARY SOURCEHIGHverses 1-9
C-45119Griffith glosses hiraṇyagarbha as literally 'the gold-germ', source of golden light, and quotes Wallis calling it the nearest approach in the Ṛgveda to the later conception of BrahmāSECONDARY SCHOLARSHIPHIGHnote to verse 1
C-45219He gives vital breath, power and vigour, and all the gods acknowledge his commandmentsPRIMARY SOURCEHIGHverse 2
C-45319His shade is death and his lustre makes immortalPRIMARY SOURCEHIGHverse 2
C-45419He is sole ruler of the moving world that breathes and slumbers, and lord of men and cattle — literally of biped and quadrupedPRIMARY SOURCEHIGHverse 3
C-45519The snow-covered mountains are his, men call sea and Rasā his possession, and 'his arms are these, his are these heavenly regions'PRIMARY SOURCEHIGHverse 4
C-45619Griffith glosses 'sea' here as air and Rasā as the mythical river of the firmamentSECONDARY SCHOLARSHIPHIGHnote to verse 4
C-45719By him the heavens are strong and earth steadfast, light's realm and the sky-vault supported, and the regions in mid-air measuredPRIMARY SOURCEHIGHverse 5
C-45819Two embattled armies, supported by his help, look to him trembling in spirit while the risen sun shines over themPRIMARY SOURCEHIGHverse 6
C-45919When the mighty waters came containing the universal germ and producing Agni, the gods' one spirit sprang into beingPRIMARY SOURCEHIGHverse 7Griffith notes that 'one' in the text gives two superfluous syllables and is suspicious
C-46019He surveyed the floods containing productive force and generating Worship, and is the god of gods with none beside himPRIMARY SOURCEHIGHverse 8
C-46119The ninth verse asks that he never harm us, naming him earth's begetter, the heavens' creator and the bringer-forth of the great and lucid watersPRIMARY SOURCEHIGHverse 9
C-46219The tenth verse names Prajāpati, says none but he comprehends all created things, and asks for the heart's desire and store of richesPRIMARY SOURCEHIGHverse 10
C-46319Verse 10 is almost certainly a later addition, differing in voice and supplying the name and a request for wealthSECONDARY SCHOLARSHIPHIGH—FLAGGED IN THE SOURCE NOTE as scholarship rather than something the source says
C-46419Ka, 'who', was applied as a name to Prajāpati and other gods from what Griffith calls a forced interpretation of the interrogative pronoun in the refrainSECONDARY SCHOLARSHIPHIGHheadnote to hymn CXXI
C-46519Some translators render the refrain not as a question but as 'Worship we Ka the god with our oblation'SECONDARY SCHOLARSHIPHIGHnote to verse 1
C-46619Vedic offerings were addressed to named gods in prescribed formulas, and most Ṛgvedic hymns declare their addresseeSECONDARY SCHOLARSHIPHIGH—
C-46719X.121, X.129 and X.90 all belong to the tenth and youngest book of the ṚgvedaSECONDARY SCHOLARSHIPHIGH—
C-46819The single unnamed power of this hymn anticipates the Upaniṣadic conception of BrahmanSECONDARY SCHOLARSHIPHIGHnote to verse 1
C-46919Garbha means womb, embryo or germ rather than egg; the literal golden egg belongs to later Brāhmaṇa literature and is not in this hymnSECONDARY SCHOLARSHIPHIGH—Stated in the source note because the story sits in the part called From an Egg
C-47019A hymn that refused nine times to name its god was later read so that the refusal itself became the god's nameEDITORIAL INTERPRETATION——MARKED IN TEXT; the underlying fact is Griffith's headnote
C-47119The Nāsadīya doubts that anyone knows, while X.121 is certain of the being and withholds only the nameEDITORIAL INTERPRETATION——MARKED IN TEXT — the story's comparative reading
C-47219This is the only account in the book in which death is neither punishment, damage nor mistake but the shadow cast by the same thing that confers immortalityEDITORIAL INTERPRETATION——MARKED IN TEXT
C-47320The chant opens 'He existed. Taaroa was his name' and states there was no earth, no sky, no sea and no manPRIMARY SOURCEHIGHp. 11Primary in the sense of a recorded chant; no reciter is named in the source
C-47420'Taaroa calls, but nothing answers'PRIMARY SOURCEHIGHp. 11
C-47520'Existing alone, he became the universe'PRIMARY SOURCEHIGHp. 11
C-47620The chant identifies Ta'aroa with the root and rocks, the sands, the light, the within, the germ, the support, endurance and wisdomPRIMARY SOURCEHIGHpp. 11-12
C-47720He erected the land of Havai'i, great and sacred, as a body or shell for Ta'aroaPRIMARY SOURCEHIGHp. 12
C-47820The chant turns to imperatives, summoning foundations, rocks and sands and commanding 'Press, press again'PRIMARY SOURCEHIGHp. 12
C-47920It reports in the present tense that 'They do not unite'PRIMARY SOURCEHIGHp. 12
C-48020It commands the seven heavens to be stretched out and ignorance, darkness, immobility and the period of messengers to cease, declaring 'It is the time of the speaker'PRIMARY SOURCEHIGHp. 12
C-48120It closes with the foundations, rocks and sands completed, the heavens enclosing and raised, and the land of Havai'i finished in the depthsPRIMARY SOURCEHIGHp. 12
C-48220In a second version Ta'aroa's origin is not described and he embraces a rock, the imagined foundation of all things, which afterward brought forth the earth and seaPRIMARY SOURCEHIGHp. 12
C-48320The heralds of day, the dark and light blue sky, solicited a soul for the inanimate universe and Ta'aroa replied 'It is done'PRIMARY SOURCEHIGHp. 12
C-48420Ra'i-tubu the Sky-producer looked into the heavens, at the unformed mass and into the abyss, and each received the power to bring forth its own contentsPRIMARY SOURCEHIGHpp. 12-13
C-48520A Society Islands fragment states that in the beginning Ta'aroa existed in an egg, in darkness, from which he later burst forthPRIMARY SOURCEHIGHp. 20
C-48620Dixon records the equivalence of Ta'aroa, Tanaoa, Tangaroa, Tangaloa and Kanaloa across PolynesiaSECONDARY SCHOLARSHIPHIGHp. 11
C-48720In the Society Islands and the Marquesas this deity is the origin of the universe and all the gods, while in New Zealand Tangaroa is one god among several with the sea as his sphereSECONDARY SCHOLARSHIPHIGHpp. 10-11
C-48820Havai'i in the chant is the old name of Ra'iātea, not the Hawaiian Islands; the name recurs across Polynesia as Hawaiki, Havaiki and Savai'iSECONDARY SCHOLARSHIPHIGH—FLAGGED IN THE SOURCE NOTE because the source prints 'Hawaii' without comment and the spelling invites confusion
C-48920Taputapuātea on Ra'iātea was the ceremonial centre of the Society group and of a wider Polynesian networkSECONDARY SCHOLARSHIPHIGH—
C-49020The London Missionary Society landed in Tahiti in 1797 and within a generation the traditional religion had been dismantled under a Christianised monarchySECONDARY SCHOLARSHIPHIGH—
C-49120Tahitian cosmological material was recorded chiefly during and after that dismantling, largely by the people who helped bring it aboutSECONDARY SCHOLARSHIPHIGH—
C-49220Dixon names no reciter and no recorder for these chants and cites by footnote number to works not inspected for this editionPRIMARY SOURCEHIGHpp. 11-13
C-49320The world here is not what the god came out of but what he is inside; the shell is worn rather than discardedEDITORIAL INTERPRETATION——MARKED IN TEXT — the story's comparative reading
C-49420Ta'aroa is a substance where Hiraṇyagarbha is a sovereignEDITORIAL INTERPRETATION——MARKED IN TEXT
C-49520This is the only text in the book that claims to be performing the creation at the moment of recitation, reporting both its failure and its completionEDITORIAL INTERPRETATION——MARKED IN TEXT
C-49621Ptah was the master craftsman of the gods and his temple was at MemphisSECONDARY SCHOLARSHIPHIGHp. 43
C-49721The Memphite ennead consisted of a primeval Ptah and eight emanations or manifestations of himself, and the use of an ennead betrays Heliopolitan influenceSECONDARY SCHOLARSHIPHIGHpp. 43-44
C-49821One member of the Memphite ennead is named Ptah the Great, with the appended explanation that he is the heart and tongue of the enneadPRIMARY SOURCEHIGHp. 44
C-49921That heart and tongue are identified with Atum, who accomplishes all things through themPRIMARY SOURCEHIGHp. 44
C-50021The Egyptians used 'heart' as the seat of the mind and possessed no word for mindSECONDARY SCHOLARSHIPHIGHp. 44
C-50121From Ptah proceeded the power of mind and tongue, the controlling power in all gods, men, animals and reptilesPRIMARY SOURCEHIGHp. 44Breasted flags the verb rendered 'thinking' as questionable
C-50221When the eyes see, the ears hear and the nose breathes they transmit to the heart; the heart brings forth every issue and the tongue repeats the thought of the heartPRIMARY SOURCEHIGHpp. 44-45
C-50321He fashioned all gods, even Atum and his ennead, and every divine word came into existence by the thought of the heart and the commandment of the tonguePRIMARY SOURCEHIGHp. 45Breasted notes heart and tongue share a gender in Egyptian so the pronoun may refer to either
C-50421He made the kas and created the qualities, all food and offerings by this word, that which is loved and that which is hated, and gave life to the peaceful and death to the guiltyPRIMARY SOURCEHIGHp. 45
C-50521The qualities are might, radiance, prosperity, victory, wealth, plenty, augustness, readiness, making, intelligence, adornment, stability, obedience and nourishmentSECONDARY SCHOLARSHIPHIGHp. 45 n.2
C-50621He made every work and handicraft the hands make, the going of the feet and the movement of every limb, through the thought of the heart that came forth from the tonguePRIMARY SOURCEHIGHp. 45
C-50721Atum stated that Ptah-Tatenen is the fashioner of the gods from whom all things went forth, Thoth perceived his strength greater than all gods, and then Ptah was satisfiedPRIMARY SOURCEHIGHp. 45
C-50821He made the cities, settled the nomes, installed the gods in their holy places and made likenesses of their bodies, and the gods then entered into bodies of every wood and every stone and every metalPRIMARY SOURCEHIGHp. 46
C-50921He assembled the gods and their kas and told them to take possession of the storehouse of Ptah-Tatenen whence the Life of the Two Lands is furnishedPRIMARY SOURCEHIGHp. 46
C-51021The document survives on British Museum Stela No. 797, acquired in 1805, which had previously been used as a nether millstone that abraded the inscriptionSECONDARY SCHOLARSHIPHIGHp. 46 n.1
C-51121Sharpe published an early copy and, because the signs face the end of the line, numbered the vertical lines backwards; Bryant and Read did the same in 1901; Breasted established the correct direction and published a facsimileSECONDARY SCHOLARSHIPHIGHp. 46 n.1
C-51221Breasted warns that the signs are very faint, that reading is excessively difficult in worn places, and that better light than a museum gallery would recover morePRIMARY SOURCEHIGHp. 46 n.1
C-51321Breasted dated the original papyrus behind the stone to at least the Eighteenth Dynasty and treated the theology as belonging to the Pyramid AgeSECONDARY SCHOLARSHIPHIGHpp. 43, 46 n.1Reported as his view and explicitly not adopted
C-51421The stone was inscribed under Shabaka around 700 BCE, and whether the text it copies is genuinely Old Kingdom or an archaising composition of that period has been debated, with opinion moving toward the later date since 1912SECONDARY SCHOLARSHIPHIGH—
C-51521This is the oldest surviving statement that the world was made by thought and speechEDITORIAL INTERPRETATION——MARKED — qualified in the source note: the claim is about the idea as we have it, and the date of the underlying composition is disputed
C-51621Breasted compares the document to Genesis 'And God said' and asks whether it is the primeval germ of the Alexandrian Logos doctrineSECONDARY SCHOLARSHIPHIGHp. 47Reported as his question and not answered by this book
C-51721Breasted states that the world Ptah brought forth was merely the Egyptian Nile valley and that the world-idea was not yet bornSECONDARY SCHOLARSHIPHIGHp. 47
C-51821The Memphite document absorbs the rival Heliopolitan creator rather than refuting him, which no other tradition in the book attemptsEDITORIAL INTERPRETATION——MARKED IN TEXT — the story's comparative reading
C-51921Babylon's word assigns function to what exists while the Memphite word brings into existenceEDITORIAL INTERPRETATION——MARKED IN TEXT
C-52021This is the only cosmogony in the book explained by analogy with human cognition rather than with a craft, a birth or a fightEDITORIAL INTERPRETATION——MARKED IN TEXT
C-52122The chapter opens by denying the existence of man, animal, bird, fish, wood, stone, bog, ravine, vegetation and marsh, leaving only the skyPRIMARY SOURCEMEDIUMp. 160Three translation steps from the K'iche'; flagged in the source note
C-52222Nothing was formed into a body, nothing joined to another thing, naught held itself poised, there was not a rustle nor a sound, and naught stood uprightPRIMARY SOURCEMEDIUMp. 160
C-52322Alone were the Creator and Maker, Tepeu the Lord and Gucumatz the Plumed Serpent, upon the waters like a growing lightPRIMARY SOURCEMEDIUMpp. 160-161
C-52422They are enveloped in green and azure, whence the name GucumatzPRIMARY SOURCEMEDIUMp. 161
C-52522The Heart of the Sky is named as God names himselfPRIMARY SOURCEMEDIUMp. 161
C-52622The word came to Tepeu and Gucumatz in the shadows and the night and spoke with them, and they consulted and joined their words and counselsPRIMARY SOURCEMEDIUMp. 161
C-52722Light came while they consulted togetherPRIMARY SOURCEMEDIUMp. 161
C-52822Hurakan's three signs are the Lightning, the Streak of Lightning and the Thunderbolt, and these three are the Heart of the SkyPRIMARY SOURCEMEDIUMp. 161
C-52922They held counsel on how seed should be formed, how light should be produced, and how the sustainer and nourisher of allPRIMARY SOURCEMEDIUMp. 161
C-53022They stated that they would receive neither glory nor honour from what they had created until human beings existed, endowed with sentiencePRIMARY SOURCEMEDIUMp. 161
C-53122'Earth,' they said, and immediately it was formedPRIMARY SOURCEMEDIUMp. 161
C-53222The formation was like a fog or a cloud, and the mountains appeared upon the waters like great lobsters, instantly grown with cypress and pinePRIMARY SOURCEMEDIUMpp. 161-162FLAGGED — the lobster image is Brasseur's rendering carried into English; later translators from the K'iche' differ
C-53322Gucumatz was filled with joy and welcomed the Heart of the Sky, Hurakan, the Streak of Lightning and the ThunderboltPRIMARY SOURCEMEDIUMp. 162
C-53422The reply was that what they had created and shaped will have its endPRIMARY SOURCEMEDIUMp. 162
C-53522The course of the waters was divided, the rivulets running serpentine among the mountainsPRIMARY SOURCEMEDIUMp. 162
C-53622Those who did it are called the Heart of the Sky and the Heart of the Earth, who first made fruitful the heaven and the earth while suspended in the midst of the watersPRIMARY SOURCEMEDIUMp. 162
C-53722The Popol Vuh was written in K'iche' in the Roman alphabet in the mid-sixteenth century by authors who do not name themselvesSECONDARY SCHOLARSHIPHIGH—
C-53822Francisco Ximénez, a Dominican, copied the K'iche' and set a Spanish translation beside it around 1701 at ChichicastenangoSECONDARY SCHOLARSHIPHIGH—
C-53922Brasseur de Bourbourg published the K'iche' text with a French translation in 1861 as the first volume of a collection of documents in indigenous languagesPRIMARY SOURCEHIGHtitle page
C-54022Alexander's English is translated from Brasseur's French, verified by comparing the Hurakan passage in both textsPRIMARY SOURCEHIGHAlexander p. 161; Brasseur at the Hurakan passageVerification performed for this edition and described in the source note
C-54122Brasseur also wrote theories connecting Mesoamerica to AtlantisSECONDARY SCHOLARSHIPHIGH—Reported; his interpretations are not used
C-54222The K'iche' are the largest Maya group in Guatemala today, numbering over a million, and Maya communities were the principal victims of the Guatemalan civil warSECONDARY SCHOLARSHIPHIGH—
C-54322This creation is the only unmixed moment of joy in the collection, and the announcement of the world's end arrives in the same breathEDITORIAL INTERPRETATION——MARKED IN TEXT — the story's comparative reading
C-54422Memphis makes the word an organ the god owns; here the word is a third party that arrives and confersEDITORIAL INTERPRETATION——MARKED IN TEXT
C-54522Mexica and K'iche' both state the god-human relationship as transactional but in different currencies, blood and praiseEDITORIAL INTERPRETATION——MARKED IN TEXT
C-54623Everything was destroyed in the flood called unu pachacutiPRIMARY SOURCEHIGHp. 32
C-54723Markham glosses unu pachacuti as the world overturned by water and calls it probably a word coined by the priests after putting leading questions about a universal delugeSECONDARY SCHOLARSHIPHIGHp. 32 n.1FLAGGED — the translator warning that a central term may be an artefact of the interrogation
C-54823Viracocha preserved three men, one named Taguapaca, to help him create new people in the second agePRIMARY SOURCEHIGHp. 32
C-54923He determined to people the land a second time and, to make it more perfect, decided to create luminaries to give it lightPRIMARY SOURCEHIGHp. 32
C-55023He went to the island of Titicaca, meaning the rock of lead, in a great lake in the CollaoPRIMARY SOURCEHIGHpp. 32-33
C-55123He ordered the sun, moon and stars to come forth and be set in the heavens, and it was soPRIMARY SOURCEHIGHp. 33
C-55223The moon was created brighter than the sun, which made the sun jealous as they rose, so the sun threw a handful of ashes over the moon's face, giving it its shaded colourPRIMARY SOURCEHIGHp. 33
C-55323Taguapaca disobeyed; Viracocha had him tied hand and foot and launched on a balsa, and he was carried down the drain of the lake blaspheming and threatening vengeancePRIMARY SOURCEHIGHp. 33
C-55423Viracocha made a sacred idol on the island as a place of worship and a sign of what he had created therePRIMARY SOURCEHIGHp. 33
C-55523At Tiahuanaco he sculptured and designed on a great piece of stone all the nations he intended to createPRIMARY SOURCEHIGHp. 34
C-55623He ordered his two servants to charge their memories with the names of all the tribes depicted and of the valleys and provinces where they were to come forthPRIMARY SOURCEHIGHp. 34
C-55723One servant went by the coastal range above the South Sea, the other by the heights overlooking the Andes, and Viracocha took the road between themPRIMARY SOURCEHIGHp. 34
C-55823They called aloud: 'Oh you tribes and nations, hear and obey the order of Ticci Viracocha Pachayachachi, which commands you to go forth, and multiply and settle the land'PRIMARY SOURCEHIGHp. 34
C-55923At the sound of his voice every place obeyed and people came forth from lakes, fountains, valleys, caves, trees, rocks and hills, spreading over the land to form the nations now in PeruPRIMARY SOURCEHIGHp. 34
C-56023A variant holds that the creation was made at Titicaca, where shapes of large strong men seemed out of proportion and were remade at the creator's own stature, the average height of men, and given lifePRIMARY SOURCEHIGHp. 34
C-56123Sarmiento states the work is done by order of Viceroy Don Francisco de ToledoPRIMARY SOURCEHIGHp. 28
C-56223Sarmiento states the history rests on attested proofs from the general testimony of the whole kingdom, old and young, Incas and tributary IndiansPRIMARY SOURCEHIGHp. 28
C-56323On completion the history was read aloud in Quechua to an assembly of Inca elders and keepers of the knotted-cord records at Cuzco for certificationSECONDARY SCHOLARSHIPHIGH—
C-56423Toledo arrived as viceroy in 1569 and commissioned histories to establish that the Incas were recent usurpers, in answer to arguments that Spanish rule was illegitimateSECONDARY SCHOLARSHIPHIGH—
C-56523In 1572, the year the history was written, Toledo had the last Inca ruler Túpac Amaru beheaded at CuzcoSECONDARY SCHOLARSHIPHIGH—
C-56623Markham collects the variant names of Taguapaca from Cieza de León and Yamqui Pachacuti and concludes that nothing more than the names can be recoveredSECONDARY SCHOLARSHIPHIGHp. 33 n.1
C-56723Sarmiento was a navigator and cosmographer who later commanded an expedition to fortify the Strait of Magellan and was captured by Sir Walter Raleigh; the manuscript was rediscovered at Göttingen and published by Markham in 1907SECONDARY SCHOLARSHIPHIGH—
C-56823Here the word summons rather than makes or confers existence, and the people are already located in the groundEDITORIAL INTERPRETATION——MARKED IN TEXT — the story's comparative reading
C-56923A history commissioned to prove the peoples of Peru had been dispossessed by usurpers preserves a cosmogony asserting that each nation belongs exactly where it standsEDITORIAL INTERPRETATION——MARKED IN TEXT as an irony, not as a claim about Sarmiento's intent
C-57023This is the only account in the book in which the moon's inferiority results from an act of spite rather than from design or assignmentEDITORIAL INTERPRETATION——MARKED IN TEXT
C-57124Olorun means Owner of the Sky and is the Yoruba sky-godSECONDARY SCHOLARSHIPHIGHch. III (1)
C-57224Olorun made Obatala, handed over to him the management of the firmament and the world, and himself retired to restPRIMARY SOURCEHIGHch. III (2)Attributed by Ellis to 'the priests'; no informant named
C-57324Olorun has no priests, symbols, images or temples, and survives chiefly in greetings and exclamationsSECONDARY SCHOLARSHIPHIGHch. III (1)
C-57424Obatala's name means Lord of the White Cloth, and his temples, images, paraphernalia and followers' cloths are whiteSECONDARY SCHOLARSHIPHIGHch. III (2)Ellis records an alternative derivation, Lord of Visions, and prefers the first
C-57524Odudua's name means the Black One, she is the chief goddess, and she is always represented as a woman sitting down nursing a childSECONDARY SCHOLARSHIPHIGHch. III (3)
C-57624Odudua is the wife of Obatala but was coeval with Olorun and not made by him, as her husband wasPRIMARY SOURCEHIGHch. III (3)
C-57724Obatala and Odudua represent Heaven and EarthSECONDARY SCHOLARSHIPHIGHch. III (3)
C-57824The priests say the pair resemble two large cut calabashes which, once shut, can never be opened; this is modelled in the temples by two whitened saucer-shaped calabashes, one covering the other, the upper the firmament and the lower the earth, meeting at the horizonPRIMARY SOURCEHIGHch. III (3)
C-57924In the beginning of the world Obatala and Odudua were shut up in darkness in a large closed calabash, he in the upper part and she in the lower, and the myth does not state how they came to be therePRIMARY SOURCEHIGHch. III (3)
C-58024They remained there many days, cramped, hungry and uncomfortablePRIMARY SOURCEHIGHch. III (3)
C-58124Odudua complained and blamed her husband for the confinement, a violent quarrel followed, and in a frenzy of rage Obatala tore out her eyes because she would not bridle her tonguePRIMARY SOURCEHIGHch. III (3)
C-58224She cursed him, saying 'Naught shalt thou eat but snails', which is why snails are offered to ObatalaPRIMARY SOURCEHIGHch. III (3)
C-58324Ellis observes that the myth does not restore her sight, so she must be supposed to have remained sightless, yet no native regards her as blindSECONDARY SCHOLARSHIPHIGHch. III (3)
C-58424One myth, contradicted by another and disputed by some, has Obatala make the first man and woman out of clay, whence the titles Owner of the Best Clay and the Orisha Who Kneads ClayPRIMARY SOURCEHIGHch. III (2)
C-58524All are agreed that Obatala forms the child in the mother's womb and that women who wish to become mothers pray to himPRIMARY SOURCEHIGHch. III (2)
C-58624Some priests hold that Obatala and Odudua are one androgynous divinity, symbolised by a figure with one arm and leg and a tail ending in a sphere, but Ellis records this as a minority viewPRIMARY SOURCEHIGHch. III (3)
C-58724Ellis's migration tradition has a palm-nut and earth fall from a black cloth into a country of water, and a fowl scratch the earth about so that wherever it falls the water dries up, founding IfePRIMARY SOURCEHIGHthe migration chapterDescribed in the source note, not told in the story; Ellis reads it as a memory of a real southward migration
C-58824Ellis names no informant, place or date for any of these accounts, attributing only to 'the priests' or 'some natives'PRIMARY SOURCEHIGHch. III
C-58924Ellis was a colonel of the 1st West India Regiment and published three successive volumes on the Tshi-, Ewe- and Yoruba-speaking peoplesPRIMARY SOURCEHIGHtitle page
C-59024Lagos was annexed in 1861, British authority was extended across Yorubaland through the 1880s and 1890s, and the Protectorate of Southern Nigeria was formed in 1900SECONDARY SCHOLARSHIPHIGH—
C-59124Yoruba religion is practised today in Nigeria and Benin and, through the Atlantic slave trade, in Cuban Lucumí and Santería, Brazilian Candomblé and diaspora communities across the Americas and EuropeSECONDARY SCHOLARSHIPHIGH—
C-59224This is the only cosmogony in the book in which heaven and earth are never separated and the world is the inside of a sealed containerEDITORIAL INTERPRETATION——MARKED IN TEXT — the story's comparative reading
C-59324Japan, the Ainu and the Yoruba independently trace a defect in the world to a woman speaking at the wrong momentEDITORIAL INTERPRETATION——MARKED IN TEXT and stated as a fact about who told these stories, not about cosmology; no historical contact is claimed
C-59424Olorun's absence is a delegation rather than a failure to answer, unlike Ukko's silence in the Finnish poemEDITORIAL INTERPRETATION——MARKED IN TEXT
C-59525Bumba is described as a gigantic white being in human form who existed alone in the beginning in a universe of nothing but waterPRIMARY SOURCEMEDIUMmyths of origins chapterReported at two removes — Werner from Torday — with no narrator named
C-59625Bumba felt severe internal pains and as a consequence vomited up the sun, moon and stars, giving light to the worldPRIMARY SOURCEMEDIUMsame
C-59725The sun's rays dried the water so that sandbanks appeared above the surface, but there was no life anywherePRIMARY SOURCEMEDIUMsame
C-59825He produced in the same manner the leopard, crested eagle, crocodile, a small fish, the tortoise, the lightning as a beast like a black leopard, the white heron, a beetle and the goatPRIMARY SOURCEMEDIUMsameFLAGGED — Werner says eight creatures and lists nine; the discrepancy is left as it stands and disclosed in the source note
C-59925He then produced menPRIMARY SOURCEMEDIUMsame
C-60025The animals undertook to people the world: the goat produced all horned beasts, the beetle all insects, the crocodile all serpents and the iguana, and the white heron all birds except the kitePRIMARY SOURCEMEDIUMsame
C-60125Bumba's first son produced white ants and died in the effort; the second produced a plant from which all vegetable life sprang; the third tried to bring forth new creatures and produced only the kitePRIMARY SOURCEMEDIUMsame
C-60225Werner records that why the kite should be set apart from all other birds is not explainedSECONDARY SCHOLARSHIPHIGHsame
C-60325Werner states she has not met with a parallel to this legend elsewhere in AfricaSECONDARY SCHOLARSHIPHIGHsame
C-60425Werner notes the narrative's resemblance to Genesis I and defends its independence on the grounds that the Bushongo were untouched by missionary influence and Torday unusually independent of interpretersSECONDARY SCHOLARSHIPHIGHsameFLAGGED — the claim of no missionary influence in the Kasai at that date is questioned in the source note and not adopted
C-60525Bumba is First Ancestor as well as Creator, and the reigning chiefs preserve every link in their genealogy of descent from himSECONDARY SCHOLARSHIPHIGHsame
C-60625Werner reports that the Bushongo say they came from the far north, probably the region of Lake Chad, within historical times, bringing an archaic non-Bantu language nearly out of useSECONDARY SCHOLARSHIPMEDIUMsame
C-60725Emil Torday, a Hungarian-born ethnographer, collected in the Kasai for the British Museum between 1907 and 1909SECONDARY SCHOLARSHIPHIGH—
C-60825The Congo Free State was the personal possession of Leopold II from 1885 to 1908, run for rubber and ivory through quotas enforced by hostage-taking, mutilation and killing, and was annexed by the Belgian state in 1908 after international campaigningSECONDARY SCHOLARSHIPHIGH—
C-60925A Kuba rising against the Free State was put down in 1904, three years before Torday arrivedSECONDARY SCHOLARSHIPMEDIUM—
C-61025The Kuba kingdom was known in Europe for its sculpture, textiles and royal portrait figures, and Torday's collecting served a museum market as well as scholarshipSECONDARY SCHOLARSHIPHIGH—
C-61125Alice Werner was a scholar of Bantu languages who later taught at the School of Oriental Studies in LondonSECONDARY SCHOLARSHIPHIGH—
C-61225This is the only creation in the book produced by illness rather than by intention, labour, speech or violenceEDITORIAL INTERPRETATION——MARKED IN TEXT — the story's comparative reading
C-61325This is the only account in the book in which the created finish the creation, with uneven competence and one fatalityEDITORIAL INTERPRETATION——MARKED IN TEXT
C-61425The unexplained kite is an example of a collector printing a gap rather than filling itEDITORIAL INTERPRETATION——MARKED IN TEXT
C-61526Hesiod introduces the passage as another tale of how gods and mortal men sprang from one sourcePRIMARY SOURCEHIGHll. 106-108
C-61626The golden race was made by the gods on Olympus in the time of Cronos and lived free from toil and grief, dying as though overcome with sleepPRIMARY SOURCEHIGHll. 109-120
C-61726The fruitful earth bore them fruit unforced, abundantly and without stintPRIMARY SOURCEHIGHll. 117-118
C-61826After death the golden race became pure spirits on the earth, kindly guardians clothed in mist who keep watch on judgements and cruel deeds and give wealthPRIMARY SOURCEHIGHll. 121-126
C-61926The silver race was less noble by far and unlike the golden in body and spiritPRIMARY SOURCEHIGHll. 127-129
C-62026A silver child was reared at his mother's side a hundred years, an utter simpleton playing childishly at homePRIMARY SOURCEHIGHll. 130-133
C-62126Grown, they lived only a little time in sorrow through their foolishness, could not keep from wronging one another, and would not serve or sacrifice to the immortals, so Zeus put them awayPRIMARY SOURCEHIGHll. 134-139
C-62226They became blessed spirits of the underworld, of second order, but honour attends themPRIMARY SOURCEHIGHll. 140-142
C-62326The brazen race sprang from ash-trees, was terrible and strong, loved the works of Ares, ate no bread and was hard of heart like adamantPRIMARY SOURCEHIGHll. 143-147The ash-tree origin is stated without explanation in the poem and is left unexplained here
C-62426Their armour, houses and implements were of bronze and there was no black ironPRIMARY SOURCEHIGHll. 150-151
C-62526They were destroyed by their own hands, passed to Hades and left no namePRIMARY SOURCEHIGHll. 152-155
C-62626The fourth generation was nobler and more righteous, a god-like race of hero demi-gods, the race before our ownPRIMARY SOURCEHIGHll. 156-160
C-62726Some were destroyed at seven-gated Thebe fighting for the flocks of Oedipus and some at Troy for Helen's sakePRIMARY SOURCEHIGHll. 161-165
C-62826The rest Zeus settled at the ends of the earth in the islands of the blessed, where the earth bears honey-sweet fruit three times a year, with Cronos released from his bonds ruling over themPRIMARY SOURCEHIGHll. 166-169b
C-62926Hesiod wishes he were not among the men of the fifth generation but had died before or been born afterwardsPRIMARY SOURCEHIGHll. 170-172
C-63026The race of iron never rests from labour and sorrow by day nor from perishing by night, though some good is mingled with the evilsPRIMARY SOURCEHIGHll. 174-179
C-63126Zeus will destroy this race when men come to have grey hair on the temples at their birthPRIMARY SOURCEMEDIUMll. 180-181FLAGGED — the exact sense of the line is debated, as noted in the source note
C-63226Father will not agree with children, nor guest with host, nor comrade with comrade, nor brother with brother; parents will be dishonoured and unrepaid; might will be right and one man will sack another's cityPRIMARY SOURCEHIGHll. 182-189
C-63326There will be no favour for the just or the oath-keeper, men will praise the evil-doer, strength will be right, reverence will cease, and the wicked will slander the worthy man on oathPRIMARY SOURCEHIGHll. 190-194
C-63426Envy, foul-mouthed and scowling, will accompany all wretched menPRIMARY SOURCEHIGHll. 195-196
C-63526Aidos and Nemesis, wrapped in white robes, will forsake mankind for the company of the deathless gods, leaving bitter sorrows and no help against evilPRIMARY SOURCEHIGHll. 197-201
C-63626Hesiod immediately follows with a fable for princes: the hawk carrying the nightingale in his talons and telling her that one far stronger than she has herPRIMARY SOURCEHIGHll. 202-211
C-63726The heroes interrupt a metallic decline and are usually read as Hesiod combining an inherited decline myth with a heroic age known from epicSECONDARY SCHOLARSHIPHIGH—Reported as the standard reading and labelled a reading
C-63826Works and Days is addressed to Hesiod's brother Perses over a divided estate decided in Perses' favour by gift-taking magistrates, and combines appeal, warning, treatise on justice and farming manualPRIMARY SOURCEHIGH—
C-63926Aidos is the internal sense of shame that restrains dishonourable action and Nemesis the righteous indignation of others at wrongdoingSECONDARY SCHOLARSHIPHIGH—
C-64026Hesiod's five races replace people rather than worlds, and three of the four superseded generations still exist somewhereEDITORIAL INTERPRETATION——MARKED IN TEXT — the story's comparative reading
C-64126This is the only account in the book whose narrator places himself inside the events he describesEDITORIAL INTERPRETATION——MARKED IN TEXT
C-64226This is the only ending in the book that offers no return, repair, scheduled victory or consolationEDITORIAL INTERPRETATION——MARKED IN TEXT
C-64327Before this world was created there was a being called Viracocha, who created a dark world without sun, moon or starsPRIMARY SOURCEHIGHp. 28
C-64427He was named Viracocha Pachayachachi, which Markham translates as Creator of all thingsPRIMARY SOURCEHIGHp. 28
C-64527He formed a race of giants of disproportioned greatness, painted and sculptured, to see whether it would be well to make real men of that sizePRIMARY SOURCEHIGHp. 29
C-64627He then created men in his likeness as they are now, and they lived in darknessPRIMARY SOURCEHIGHp. 29
C-64727He ordered them to live without quarrelling and to know and serve him, and gave them a precept to observe on pain of being confoundedPRIMARY SOURCEHIGHp. 29
C-64827They kept the precept for some time, but it is not mentioned what it wasPRIMARY SOURCEHIGHp. 29The source itself records the content of the precept as unknown; nothing is supplied here
C-64927Pride and covetousness arose among them and they transgressed the precept, falling under his indignation, and he confounded and cursed themPRIMARY SOURCEHIGHp. 29
C-65027Some were turned into stones, others into other things, some swallowed by the earth and others by the seaPRIMARY SOURCEHIGHp. 29
C-65127A general flood called unu pachacuti, water that overturns the land, rained sixty days and nights and drowned all created thingsPRIMARY SOURCEMEDIUMpp. 29-30Markham warns that unu pachacuti was probably coined by priests after leading questions about a universal deluge
C-65227Vestiges of those turned into stones remained as a memorial of the event and an example to posterity, in the edifices of Pucara, sixty leagues from CuzcoPRIMARY SOURCEHIGHp. 30
C-65327Sarmiento notes that nations besides the Cuzcos say a few were saved from the flood to leave descendants, and that each nation has its own fablePRIMARY SOURCEHIGHp. 30
C-65427Markham collects competing derivations of Viracocha from Garcilasso, Cieza de León, Acosta, Montesinos, Molina, Betanzos and an anonymous Jesuit without choosing between themSECONDARY SCHOLARSHIPHIGHpp. 28-29 n.1
C-65527Markham reports uira possibly a corruption of pirua, a depository; cocha as profundity, abyss or space; ticci as base or foundation; illa as light; and gives 'the Dweller in Space' as one glossSECONDARY SCHOLARSHIPHIGHpp. 28-29 n.1
C-65627Markham glosses pacha as time, place or the universe, camac as Ruler and yachachi as Teacher, giving Pachayachachi as Teacher of the UniverseSECONDARY SCHOLARSHIPHIGHp. 29 n.1
C-65727Sarmiento argues that America was peopled after the biblical flood by way of an Atlantic land connection and states that there is no necessity for setting aside the ScripturesPRIMARY SOURCEHIGHp. 30
C-65827Pucara lies on the altiplano north-west of Lake Titicaca and was the centre of a culture flourishing centuries before the Inca, with carved stone monoliths and sunken courts, abandoned long before the sixteenth centurySECONDARY SCHOLARSHIPHIGH—
C-65927Tiahuanaco is likewise a monumental site far older than the Inca state and is where the second creation is placed in the following chapterSECONDARY SCHOLARSHIPHIGH—
C-66027The petrified first people function as an exhibit rather than as a trace, unlike the landscape marks left by construction accidents elsewhere in the bookEDITORIAL INTERPRETATION——MARKED IN TEXT — the story's comparative reading
C-66127The giants are a deliberate prototype tested for scale rather than a failed creation discovered after the factEDITORIAL INTERPRETATION——MARKED IN TEXT
C-66227The lost precept is the clearest case in the book of a source recording what it does not knowEDITORIAL INTERPRETATION——MARKED IN TEXT
C-66328The account opens: in the year and in the day of obscurity and darkness, when there were as yet no days nor years, the world was a chaos sunk in darkness, while the earth was covered with water on which scum and slime floatedPRIMARY SOURCEHIGHp. 86The only direct quotation available; the rest of the narrative is Alexander's summary
C-66428The Deer-God and the Deer-Goddess are also known as the Puma-Snake and the Jaguar-SnakeSECONDARY SCHOLARSHIPMEDIUMp. 86
C-66528They magically raised a cliff above the abyss of watersSECONDARY SCHOLARSHIPMEDIUMp. 86
C-66628On its summit they placed an axe, edge upward, upon which the heavens restedSECONDARY SCHOLARSHIPMEDIUMp. 86
C-66728The place was called the Place-where-the-Heavens-stood and they lived there many centuriesSECONDARY SCHOLARSHIPMEDIUMp. 86
C-66828They reared two boys, Wind-of-the-Nine-Serpents and Wind-of-the-Nine-Caves, who could transform into eagles and serpents and pass through solid bodiesSECONDARY SCHOLARSHIPMEDIUMp. 86
C-66928The brothers inaugurated sacrifice and penance and the cultivation of flowers and fruitsSECONDARY SCHOLARSHIPMEDIUMpp. 86-87
C-67028With vows and prayers they besought their ancestral gods to let the light appear, to cause the water to be separated from the earth, and to permit the dry land to be freed from its coveringSECONDARY SCHOLARSHIPMEDIUMp. 87
C-67128The earth was peopled, a flood destroyed this First People, and the world was restored by the Creator of all ThingsSECONDARY SCHOLARSHIPMEDIUMp. 87
C-67228Alexander suggests the deer is an emblem of fecundity, that as Puma-Snake and Jaguar-Snake the pair doubtless represent the day-sky and the starry night vault, and that the two boys are demiurgic twins typifying the upper and nether worldsSECONDARY SCHOLARSHIPHIGHpp. 86-87Reported as Alexander's interpretations and explicitly not used in the retelling
C-67328Alexander notes the resemblance of the opening's negative mode to Genesis and the Babylonian cosmogony, and explains it as characteristic of an early stage of human thought struggling with abstractionsSECONDARY SCHOLARSHIPHIGHp. 86Quoted as the evolutionary anthropology of its period and not adopted
C-67428The Mixtec are a people of the Oaxaca highlands with their own language, city-states and dynasties, distinct from the MexicaSECONDARY SCHOLARSHIPHIGH—
C-67528A handful of pre-conquest Mixtec screenfold codices painted on deerskin survive, recording ruling lineages across centuries by named individualsSECONDARY SCHOLARSHIPHIGH—
C-67628Mixtec personal names combine a number and a calendar sign, which is the form of the two sons' names in this accountSECONDARY SCHOLARSHIPHIGH—
C-67728Fray Gregorio García was a Dominican best known for an enquiry into the origin of the peoples of the New World, and collected origin traditions partly to test theories about itSECONDARY SCHOLARSHIPHIGH—
C-67828The Mixtec today number around half a million, in Oaxaca and in migrant communities in Mexico City, Baja California and the United StatesSECONDARY SCHOLARSHIPHIGH—
C-67928This is the only account in the book in which the sky rests on the edge of a blade rather than on a person, pillar, corner-props or a growing bodyEDITORIAL INTERPRETATION——MARKED IN TEXT — the story's comparative reading
C-68028This is the only cosmogony in the book whose decisive act is a prayer, performed by beings who are neither the creators nor the createdEDITORIAL INTERPRETATION——MARKED IN TEXT
C-68128The opening sentence dates the event to a year and a day and then denies that years or days existedEDITORIAL INTERPRETATION——MARKED IN TEXT; the observation is about the quoted sentence
C-68228Alexander suggests the Mixtec Creator-of-All-Things was the same deity the Zapotec knew as Coqui-Xee or Coqui-Cilla, Lord of the BeginningSECONDARY SCHOLARSHIPHIGHp. 87Reported as Alexander's suggestion
C-68328Of Coqui-Xee it was said that he was the creator of all things and was himself uncreatedPRIMARY SOURCEMEDIUMp. 87
C-68428Seler read Coqui-Xee as a spirit of the beginning in the sense of dawn, the east and the rising sun, and identified him with the Zapotec Quetzalcoatl on the strength of his second name Piye-Tao, the Great WindSECONDARY SCHOLARSHIPHIGHp. 87
C-68528Coqui-Xee is described as merely the principle or essence of the creative deity, without reference to the act of creating the world and human beingsSECONDARY SCHOLARSHIPHIGHp. 87
C-68628The act of creating is ascribed instead to the primeval pair Cozaana, Maker of all Beasts, and Huichaana, Maker of Men and Fishes, equivalent to the Mixtec Deer-God and Deer-GoddessSECONDARY SCHOLARSHIPHIGHp. 87
C-68728Fish are classified with human beings rather than with the animals in the Zapotec division of labour, and the source does not explain itEDITORIAL INTERPRETATION——MARKED IN TEXT as an observation about the titles, with the absence of explanation stated
C-68829From the high heavens Tangaloa saw a stone floating in the boundless sea beneathPRIMARY SOURCEMEDIUMp. 18Reported by a compiler with no reciter or recorder named
C-68929He brought it up to the skies, shaped it into human form, inspired it with life and took it to wifePRIMARY SOURCEMEDIUMp. 18
C-69029She bore him a bird, which he sent down from the sky-world, casting a great rock into the sea to serve it for a homePRIMARY SOURCEMEDIUMp. 18
C-69129The bird returned complaining of the shadeless character of the land, and the god cast down a vine which grew and gave shadowPRIMARY SOURCEMEDIUMp. 18
C-69229Tangaloa in anger sent worms which fed upon the vines and killed themPRIMARY SOURCEMEDIUMp. 18No reason for the anger is given in the source and none is supplied in the retelling
C-69329From the worms or maggots developed from the rotting vines, man was later madePRIMARY SOURCEMEDIUMp. 18
C-69429In the Tongan account four dwelt in the heavens: Tama-pouli-alamafoa the King of Heaven, Tangaloa-eiki the Celestial Chief, Tangaloa-tufuga the Celestial Artisan and Tangaloa-atu-logologo the Celestial MessengerPRIMARY SOURCEMEDIUMpp. 18-19
C-69529The messenger descended on a bird, flew about a long time and found only a sandbank on which the waves broke, reporting no dry landPRIMARY SOURCEMEDIUMp. 19
C-69629He was told to wait seven days and look again, and found the land already risen above the watersPRIMARY SOURCEMEDIUMp. 19
C-69729He complained there was no place below where he could rest and was told to ask the divine artificer to cast down chips and shavings from his work, whereupon the island of Eua arosePRIMARY SOURCEMEDIUMp. 19
C-69829He reported a great land with no plant or tree in it, and the divine chief gave him a seed which grew into a great vine spreading over all the landPRIMARY SOURCEMEDIUMp. 19
C-69929Dixon identifies the type's constants as a pre-existing world of gods above, a universal sea below, something cast down from which the world is made, and a bird as messenger or offspring of the sky-deitySECONDARY SCHOLARSHIPHIGHpp. 19-20
C-70029Tangaloa, Tangaroa, Ta'aroa and Kanaloa are the same name across Polynesia, holding different ranks in different island groups — supreme and pre-existent in the Society Islands, a sky-dwelling sender of messengers in Samoa and Tonga, and a god of the sea among several in New ZealandSECONDARY SCHOLARSHIPHIGHpp. 10-11
C-70129Tufunga is the Tongan term for a master craftsman, the builder of canoes, houses and stone monumentsSECONDARY SCHOLARSHIPHIGH—
C-70229The London Missionary Society reached Tonga in 1797 and Samoa in 1830, and both groups were substantially Christianised before these traditions were printedSECONDARY SCHOLARSHIPHIGH—
C-70329This is the only multiple-attempt account in the book in which nothing is destroyed and the world is revised rather than restartedEDITORIAL INTERPRETATION——MARKED IN TEXT — the story's comparative reading
C-70429This is the only creator in the book who discovers what the world needs by sending someone to look and listening to the reportEDITORIAL INTERPRETATION——MARKED IN TEXT
C-70529Samoan humanity comes from maggots in a solution the god reversed in anger, which differs from Pangu's insects in being produced by the reversal rather than merely presentEDITORIAL INTERPRETATION——MARKED IN TEXT
C-70630The sun darkens, earth sinks in ocean, the bright stars fall from heaven, fire's breath assails the all-nourishing tree and towering fire plays against heaven itselfPRIMARY SOURCEHIGHst. 56
C-70730She sees earth arise a second time from ocean, beauteously green, with waterfalls descending and the eagle flying over which captures fish in the fellPRIMARY SOURCEHIGHst. 57
C-70830The Æsir meet on Ida's plain, speak of the mighty earth-encircler, and call to memory their deeds and the supreme god's ancient lorePRIMARY SOURCEHIGHst. 58
C-70930The wondrous golden tables which the ruler of the gods possessed in days of old shall again be found in the grassPRIMARY SOURCEHIGHst. 59
C-71030At the beginning of the same poem the Æsir played at tables on Ida's plain, joyous, wanting for no goldPRIMARY SOURCEHIGHst. 7-8
C-71130Unsown fields shall bring forth, all evil be amended, and Baldr shall come, with Höðr and Baldr inhabiting Hropt's glorious dwellingsPRIMARY SOURCEHIGHst. 60
C-71230The seeress's refrain is 'Understand ye yet, or what?'PRIMARY SOURCEHIGHst. 60-61
C-71330Hœnir shall choose his lot and the two brothers' sons inhabit the spacious VindheimPRIMARY SOURCEHIGHst. 61
C-71430She sees a hall brighter than the sun, decked with gold, at Gimlé, where righteous people shall dwell and enjoy happiness for evermorePRIMARY SOURCEHIGHst. 62
C-71530Then comes the mighty one from above to the great judgment, who pronounces dooms, allays strifes and establishes a holy peace that shall ever bePRIMARY SOURCEHIGHst. 64
C-71630The final stanza has the dark dragon Níðhǫggr fly from Niðafjöll over the plain bearing a corpse on his wings, after which the seeress descendsPRIMARY SOURCEHIGHst. 65
C-71730Thorpe's numbering goes from stanza 62 to stanza 64PRIMARY SOURCEHIGHst. 62-64FLAGGED — the cause cannot be determined from the file and nothing has been supplied
C-71830The Vǫluspá is spoken by a vǫlva raised by Óðinn and is the first poem in the Codex Regius, written in Iceland around 1270SECONDARY SCHOLARSHIPHIGH—
C-71930The closing stanzas' resemblance to Christian eschatology has been argued since the poem entered scholarship, with positions ranging from Christian interpolation to coincidence to composition at the meeting of the twoSECONDARY SCHOLARSHIPHIGH—FLAGGED — three positions set out in the source note and none adopted
C-72030Some editors move or discount the final stanza on the grounds that a renewal ought not to end with a corpse-eating dragon; Thorpe prints it lastSECONDARY SCHOLARSHIPHIGHst. 65
C-72130The Codex Regius was lost for four centuries, rediscovered in 1643 by an Icelandic bishop, sent to the Danish king, held in Copenhagen and returned to Iceland in 1971SECONDARY SCHOLARSHIPHIGH—
C-72230The Vǫluspá has been enlisted since the nineteenth century by nationalist and later by extremist movementsSECONDARY SCHOLARSHIPHIGH—Stated briefly, with the observation that the poem's content resists the use
C-72330This is the only account in the book that describes the world after this one in detailEDITORIAL INTERPRETATION——MARKED IN TEXT — the book's final comparative reading
C-72430Hesiod places the unsown field at the beginning of time and loses it; the Vǫluspá places it at the end and waits for itEDITORIAL INTERPRETATION——MARKED IN TEXT
C-72530Nothing else in the book allows an object to survive from one world into the nextEDITORIAL INTERPRETATION——MARKED IN TEXT
C-72630The poem gives the renewal in full and then, without comment, ends on a corpseEDITORIAL INTERPRETATION——MARKED IN TEXT

Bibliography

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Latin-American Mythology
Hartley Burr Alexander
Boston: Marshall Jones, 1920; the underlying documents are sixteenth-centuryno. 16; no. 22; no. 28
The Birds
Aristophanes; anonymous English translation
produced at Athens 414 BCE; the translation is a late-nineteenth-century prose version, translator not named in the copy usedno. 18
Nihongi: Chronicles of Japan from the Earliest Times to A.D. 697
trans. W. G. Aston
chronicle completed 720; Aston's translation published for the Japan Society, London, 1896no. 17
The Ainu and their Folk-Lore
John Batchelor
London: The Religious Tract Society, 1901no. 10
Development of Religion and Thought in Ancient Egypt
James Henry Breasted
1912no. 1; no. 21
Oceanic Mythology
Roland B. Dixon
1916no. 5; no. 20; no. 29
The Yoruba-Speaking Peoples of the Slave Coast of West Africa
A. B. Ellis
London: Chapman and Hall, 1894no. 24
History of the Incas
Pedro Sarmiento de Gamboa; trans. Sir Clements Markham
written at Cuzco, 1572; Markham's translation for the Hakluyt Society, Cambridge, 1907no. 23; no. 27
The Mahabharata of Krishna-Dwaipayana Vyasa, Translated into English Prose
trans. Kisari Mohan Ganguli
epic material accreted over centuries around the turn of the era; translation published in fascicles, Calcutta, 1883-1896no. 11
Polynesian Mythology and Ancient Traditional History of the New Zealand Race
Sir George Grey
1855no. 5
The Hymns of the Rigveda, volume IV (Books IX and X)
trans. Ralph T. H. Griffith
hymn composed in the late Vedic period; Griffith's four-volume translation published 1889-1892no. 3; no. 14; no. 19
Hesiod, the Homeric Hymns and Homerica
Hesiod; trans. Hugh G. Evelyn-White
composed c. 700 BCE; translation 1914 (Loeb)no. 2; no. 26
Iroquoian Cosmology, First Part
J. N. B. Hewitt
narrated 1889, revised 1897; published in the Twenty-first Annual Report of the Bureau of American Ethnology (Washington: Government Printing Office)no. 7
Kalevala: The Epic Poem of Finland
comp. Elias Lönnrot; trans. John Martin Crawford
runes collected from 1828; Old Kalevala 1835; New Kalevala (50 runes, 22,793 lines) 1849; Crawford's translation New York, 1888no. 9
Indian Myth and Legend
Donald A. Mackenzie
1913no. 3
Myths of the Cherokee
James Mooney
collected 1887-1890 and later at Qualla, North Carolina; published in the Nineteenth Annual Report of the Bureau of American Ethnology (Washington: Government Printing Office, 1900)no. 8
The Chaldean Account of Genesis
George Smith; rev. A. H. Sayce
first published London 1876; this edition New York: Charles Scribner's Sons, 1880 (Sayce's preface dated 21 May 1880)no. 6
The Younger Edda; also called Snorre's Edda, or The Prose Edda
Snorri Sturluson; trans. Rasmus B. Anderson
composed in Iceland in the 1220s; Anderson's translation copyrighted 1879, this printing Chicago: Scott, Foresman, 1901no. 12
The Elder Eddas of Saemund Sigfusson
trans. Benjamin Thorpe
poems of uncertain and disputed age, preserved chiefly in the Codex Regius of c. 1270; Thorpe's translation 1866, in the Norrœna Society edition edited by Rasmus B. Andersonno. 12; no. 30
African Mythology
Alice Werner
Boston: Marshall Jones, 1925; Torday's fieldwork 1907-09no. 25
Myths and Legends of China
E. T. C. Werner
London: George G. Harrap, 1922no. 13
Pahlavi Texts, Part I (Sacred Books of the East, vol. V)
trans. E. W. West
Bundahishn compiled 9th c. CE from older Avestan material; translation 1880no. 4; no. 15